The houses are soon filled to overflowing. New-comers are obliged to
camp. Tents are pitched. People live in carts and wagons, in breaks,
tilburys, calèches, omnibuses, as far away as possible, be it
understood, from the gipsy encampment.
Around the little town, the hundreds of vehicles constitute a roving
town of their own, resting there like a flock of birds of passage
around a swamp.
And on all sides naught can be seen but tattered, crippled,
hunchbacked, deformed, blind, or one-eyed creatures, broken in health,
lame, maimed, scrofulous, and paralytic, dragging themselves along or
dragged by others, carried in men's arms or on litters, some with
bandages over their faces, others displaying unhealed wounds from
which one turns aside in horror.
Here a poor fellow who has been bitten by a mad dog wanders about with
gloomy brow, tormented by insane anxiety and hope, for a pilgrimage to
Saintes-Maries is especially efficacious against hydrophobia.
All varieties of misfortune are represented. All the children of Job
and Tobias have journeyed hither to find the healing angel and the
miraculous fish.
A motley crowd swarms upon the public square in the bright sunlight,
and in the narrow streets, under the luminous shadow of the awnings.
From time to time, it parts, with loud shouts, before a drover, who
rides proudly by, his sweetheart _en croupe_ with her arms about his
waist.
Here and there flat baskets laden with rosaries, sacred images,
Catalan knives, and handkerchiefs of brilliant hue stand out like
islets in the midst of the sea of promenaders, and all the merchandise
displayed for sale takes on a pink or pale-blue tint through the great
stationary umbrellas that shield it from the sun.
Amid the fantastic piercing notes of a _galoubet_, or high-pitched
flute, tambourines can be heard humming in cadence in the interior of
a wine-shop, where young girls of the province are dancing in
Provençal costume, dark-skinned girls with white teeth beneath their
sensuous lips; very like Moors they are, the descendants of some
Saracen pirate who ravaged the Ligurian shore.
The town is flooded with joyous light. Everybody is in his Sunday
dress. Upon the fever-haunted strand, whither a whole people flocks to
pray to the Saintes Maries for bodily health, that joyous sun is
dangerous. The whole scene has the appearance of a hospital ball, a
fête given by dying men. The devil wields the bâton, it may be. One
would think it, to see the faces of the gipsies, whose expression,
notwithstanding certain cunning leers, is and remains undecipherable.
In the church with the black, dirt-begrimed walls, filled with a fetid
odor by such an accumulation of misery, diseased flesh, and perspiring
humanity, the people crowd about the iron balustrade of the little
well, as if it were the Fountain of Youth. The poor, green,
dilapidated pitcher humbly descends at the end of its cord to bring up
from the sand below brackish water that to-day seems sweet.
Public-domain text, read in full here on John Shaqi.
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