Keep faith with them, O saints!--Faith gives what one wishes.
They are waiting for four o'clock, the hour at which the relics
descend.
At four o'clock precisely, the shutter of the high window up yonder,
under the ogive arch of the nave, will open. The relics will come down
toward the outstretched arms. The little children will be lifted up
toward them. The dead arms of the paralytics will be raised toward
them. The blind will turn toward them their sightless eyes, or their
empty, blood-stained orbits.
Meanwhile, Livette, who is standing there in the centre of the crowd,
directly in front of the altar, facing the grated door through which
you go down into the crypt, is preparing to sing the solo of
invocation. Her fresh, pure voice is to be the voice of all these
wretched creatures, crushed under the weight of impurity and disease.
Just below the high altar, which is studded with tapers, the gipsies
are huddled together in their crypt, with tapers in their hands,
invoking Saint Sara. The vault is dark. The gipsies are black. The
little glass shrine of Saint Sara has become black under the
accumulated filth of years. From the centre of the church you can see
through the grated opening, which resembles an air-hole of hell, the
innumerable twinkling lights of the tapers below, waving to and fro in
the hands that hold them. A muffled sound of praying comes up through
the opening.
In the church, every hand now has its taper, and they are rapidly
lighted one from another. The lights dance about in the air. But the
interior of the nave is dark. The high walls, pierced by narrow
windows, are grimy with age. And all this obscurity, where suffering
and misery crawl and cower, is studded with stars like heaven. To the
gipsies in the crypt, who will not see the blessed relics descend, the
body of the church, which they can see from below through the
air-hole, is a heaven beyond their reach, the world of the elect.
But the elect, alas! are damned. Their heaven is the chapel up yonder,
in which the power they invoke lies sleeping, beneath the stained wood
of the boxes, like to a double coffin--the power that may remain deaf,
the all-powerful power that will never perhaps awaken for any one, the
marvellous power upon which cures depend and which withholds
happiness!
Such was the interior of the three-storied church of Saintes-Maries on
that day. And above the lofty chapel, there was the bell-tower
overlooking the whole country-side. Surrounded by endless numbers of
swallows and sea-gulls, for centuries past it has looked upon the
glistening desert, the dazzling sea, the dumb infinitude of space,
which could explain things if it would, but only beams and laughs.
The hour drew near. The crowd was panting with heat and hope and fear.
Renaud was not there.
"Remember--we promised to burn three tapers each before the relics,"
Livette had said to him.
"I will come to-night," was his reply. "There's the branding to-day.
I have to look after my bulls."
Public-domain text, read in full here on John Shaqi.
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