They felt that they were living the same life as everything about
them. From time to time, a kingfisher, sky-blue and reddish-brown,
would pass before them, light on a low branch, gazing sidewise at the
water with his beak ready to strike, then, suddenly, fly off across
the Rhône. And, with the sky-blue bird, their thoughts would cross
the river, there to light again upon a branch, bent like a bow, whose
slender point trailed in the water, vibrating in the current, and
surrounded with a mass of foam, dead leaves, and twigs. And suddenly
the bird, like a sorcerer, had disappeared.
"How pretty!" Livette would sometimes say.
And that was all.
He would make no reply. He knew not what to say to her. He was too
happy. He would not call the king his cousin!
In the evening twilight, many little rabbits, young in that month of
May, would run out from the park, through the wild hedges, almost
invisible in their gray coats, and play in the shadow at the foot of
the bushes, their presence betrayed by the rustling of a tuft of grass
or a low-hanging, horizontal branch that barred their path.
To heighten the enjoyment of the lovers, there was the nightingale's
song, at the rising of the moon. Listen to it: 'tis always lovely in
the darkness, is the nightingale's song. It begins with three
distinct, long-drawn-out cries; you would say it was a signal, a
preconcerted call; it enjoins attention. Then the modulations
hesitatingly arise. You would say that it is timid, that it fears its
prayer will not be granted. But soon it takes courage, self-assurance
comes, and the song bursts forth and soars and fills the air with its
melodious uproar. 'Tis love, 'tis youth and love that can no longer
be restrained, that nothing stays, that claim their rights in
life.--His song is done.
His song is done, but still the lovers listen on and on to the bird's
song, echoed in the dark recesses of their own hearts.
At last, it would be time to return. They would rise and walk back
toward the farm, not far away.
The grandmother would be calling from the doorway:
"Livette! Livette!"
Her voice would reach their ears, with a plaintive, caressing accent,
tinged with sadness, from the edge of the vast expanse that rose in
the darkness toward the stars, toward life and love,--a long,
melancholy call. The voice at night upon the moor fills the air and
rises tranquilly, disturbed by no echo, sad to be alone in a too great
solitude.
Around the lovers as they returned to the farm, in the orchards, in
the park, as the darkness increased, the deafening clamor of the frogs
would soon be heard, a mighty noise, the sum total of a multitude of
feeble sounds, a frightful din, composed of many minor croakings of
unequal strength, which, massed together, drowning one another, mount
at last into a rhythmic tumult like the ceaseless roaring of a
cataract.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account