King--of the Khyber Rifles: A Romance of AdventureMundy, Talbot
History
King--of the Khyber Rifles: A Romance of Adventure
Mundy, Talbot
British -- India -- Fiction; Historical fiction; India -- History -- Sepoy Rebellion, 1857-1858 -- Fiction; Love stories; War stories
While she sang, the guard to whom she had whispered forced a way through
the ranks of the standing crowd, and came behind Ismail. He tweaked
the Afridi's ear to draw attention, for like all the others--like King,
too--Ismail was listening with dropped jaw and watching with burning
eyes. For a minute they whispered, so low that King did not hear what
they said; and then the guard forced his way back by the shortest route
to the arena, knocking down half a dozen men and gaining safety beyond
the lamps before his victims could draw knife and follow him.
Yasmini's song went on, verse after verse, telling never one fact, yet
hinting unutterable things in a language that was made for hint and
metaphor and parable and innuendo. What tongue did not hint at was
conveyed by subtle gesture and a smile and flashing eyes. It was
perfectly evident that she knew more than King--more than the general at
Peshawur--more than the viceroy at Simla--probably more than the British
government--concerning what was about to happen in Islam. The others
might guess. She knew. It was just as evident that she would not tell.
The whole of her song, and it took her twenty minutes by the count of
King's pulse, to sing it, was a warning to wait and a promise of amazing
things to come.
She sang of a wolf-pack gathering from the valleys in the winter snow--a
very hungry wolf-pack. Then of a stalled ox, grown very fat from being
cared for. Of the “Heart of the Hills” that awoke in the womb of the
“Hills,” and that listened and watched.
“Now, is she the 'Heart of the Hills'?” King wondered. The rumors men
had heard and told again in India, about the “Heart of the Hills” in
Khinjan seemed to have foundation.
He thought of the strange knife, wrapped in a handkerchief under his
shirt, with its bronze blade and gold hilt in the shape of a woman
dancing. The woman dancing was astonishingly like Yasmini, standing on
the shield!
She sang about the owners of the stalled ox, who were busy at bay,
defending themselves and their ox from another wolf-pack in another
direction “far beyond.”
She urged them to wait a little while. The ox was big enough and fat
enough to nourish all the wolves in the world for many seasons. Let
them wait, then, until another, greater wolf-pack joined them, that they
might go hunting all together, overwhelm its present owners and devour
the ox! So urged the “Heart of the Hills,” speaking to the mountain
wolves, according to Yasmini's song.
“The little cubs in the burrows know.
Are ye grown wolves, who hurry so?”
She paused, for effect; but they gave tongue then because they could not
help it, and the cavern shook to their terrific worship.
“Allah! Allah!”
Public-domain text, read in full here on John Shaqi.
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