King--of the Khyber Rifles: A Romance of AdventureMundy, Talbot
History
King--of the Khyber Rifles: A Romance of Adventure
Mundy, Talbot
British -- India -- Fiction; Historical fiction; India -- History -- Sepoy Rebellion, 1857-1858 -- Fiction; Love stories; War stories
So King went up, stooping to feel each next footing with a cautious
hand. He was beginning to be sleepy, and to suspect that Yasmini had
taken him to view the dawn with just that end in view. Nothing can make
tired eyes so long for sleep as a glimpse of waking day--Sleepy eyes are
easiest to trick.
It was not many minutes before he was sure his guess was right.
The opening at the head of the stairs led into a tunnel. He followed
it with a hand on either wall and reached another of Khinjan's strange
leather curtains. His face struck the leather unexpectedly, and at that
instant, as if his touch were electric, the curtain sprang aside and his
eyes were dazzled by the light of diamonds.
It was Aladdin's Cave, with her acting spirit of the lamp! It needed
effort of self-control to know that the huge, white, cut crystals that
sparkled all about the hewn cell could not be diamonds. They were as big
as his head, and bigger--at least a hundred of them, and they multiplied
the light of half a dozen little oil lamps until the cave seemed the
home of light.
Yasmini had not a jewel on her. She was in a new mood and new garments
to suit it. Her feet were still bare, but she was robed from head to
heel in pure white linen, on which her long hair shone as if it were
truly strands of gold. She received him with an air of mystic calm,
gracious and dignified as the high-priestess of a Grecian temple. She
seemed devout--to have forgotten that she ever killed a man, or made a
threat or plotted for a kingdom.
“Be still,” she said, raising a finger. “The old gods talk to us in
here. It is not for us to answer them in words, but in deeds. Let us
listen and do!”
There were two cushions--great billowy modern ones, covered in gold
brocade--on the floor in the midst of the cave. Between them was a stand
of ivory, some two feet high, whose top was a disk, cut from the largest
tusk that ever could have been. On the disk resting in a little hollow
in the ivory, was a pure, perfect crystal sphere of a foot diameter.
He could see his reflection in it, and Yasmini's, too, the moment he
entered the cave, and whichever way they moved both images remained
undistorted. He suspected that the lighting and the crystal reflectors
had not been arranged at random.
In each corner of the four-square cave there was a brazier of bronze,
and from each rose incense smoke, straight upward. The four streams of
smoke met at the ceiling and converged into a cloud that hung almost
motionless.
Yasmini stepped very reverently to a cushion by the crystal in the
middle, and signed to King to imitate her. They stood facing. She seemed
to pray, for her eyes were hidden under the long lashes. Then she knelt,
and King did the same, his knees sinking deep into another cushion. So
they knelt eye to eye above the crystal for many minutes without either
saying a word. It was Yasmini who spoke first.
Public-domain text, read in full here on John Shaqi.
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