King--of the Khyber Rifles: A Romance of AdventureMundy, Talbot
History
King--of the Khyber Rifles: A Romance of Adventure
Mundy, Talbot
British -- India -- Fiction; Historical fiction; India -- History -- Sepoy Rebellion, 1857-1858 -- Fiction; Love stories; War stories
“The old gods have showed me the past many and many a time in this,” she
said. “It is, their way of speaking to me. Now, to-day, I have prayed to
them to show me the future. Look! Look, Athelstan! Do as I do--so!”
There seemed nothing to be gained by disobeying her. To obey her might
be to win new insight into the ramifications of her plans. Men who have
experience of the East are the last to deny that there is method in
Eastern magic; they glimpse the knowledge that belonged to Pharaoh's
men, although unlike Moses they are not always able to confound it. The
East forgets nothing. The West ignores. But there are men from the West
who are willing to look and to listen and to try to understand; like
King, they go high in the Service. There are others who look on at the
magic with an understanding eye and are caught by it. Their end is not
good to contemplate. The East is fettered in her own mesmeric spell and
must suffer until she wakes.
Yasmini held the upright column of the ivory stand with both hands,
close under the disk at the top. He copied her, placing his hands below
hers. Hers slipped down and covered his, soft and warm; and so they
stayed.
“Look!” she said. “Look!”
Her own eyes were grown big and round, and she gazed at the crystal ball
as she had looked into King's eyes that night, with the very hunger of
her soul. Her lips were parted. Watching her, King grew expectant, too.
His eyes followed hers, to stare into the middle of the crystal, no
longer feeling sleepy, and in less than a minute he could not have
withdrawn them had he tried.
The crystal clouded over. Yasmini's breath came steadily, with a little
hissing sound between her teeth, and the crystal, or else the whole
world, seemed to sway in time to it. Then the man in Roman armor strode
out of a mist, and all was steady again and easy to understand. When the
man in armor opened his lips to speak, one knew what he had said. When
he frowned, one knew why he frowned. When he smiled, one knew that she
was coming.
And she did come, dancing out of the mist behind him, to fling soft arms
round his neck and whisper praises in his ear. He stood like a king who
has come into his own, with an arm round her and his chin held high. She
kissed him on his proud chin, and laughed into his face.
There were troubles--difficulties, all in the mist behind, but he stood
and despised them then while she caressed him!
Just as spoken words had no part in the vision, yet the whole was
understood, so time did not enter into it. There was no connecting link
between each scene; each dissolved into the other, and all were one.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account