King--of the Khyber Rifles: A Romance of AdventureMundy, Talbot
History
King--of the Khyber Rifles: A Romance of Adventure
Mundy, Talbot
British -- India -- Fiction; Historical fiction; India -- History -- Sepoy Rebellion, 1857-1858 -- Fiction; Love stories; War stories
“Trucks ready for camels--and camel drivers--and food for camels--and
Eresby, who's just come from taking a special camel course. Not a doubt
of it!--And then, Corrigan--Elwright--Doby--Gould--all on the platform
in a bunch, and all down on the Army List as Turkish interpreters! Not a
doubt left!”
“What have you written?” asked a quiet voice at his ear; and he turned
to look straight in the eyes of Rewa Gunga, who had leaned forward to
read over his shoulder. Just for one second he hovered on the brink of
quick defeat. Having escaped the Scylla of the dancing women, Charybdis
waited for him in the shape of eyes that were pools of hot mystery. It
was the sound of his own voice that brought him back to the world again
and saved his will for him unbound.
“Read it, won't you?” he laughed. “If you know, take this pen and mark
the names of whichever of those men are still in Delhi.”
Rewa Gunga took pen and paper and set a mark against some thirty of the
names, for King had a manner that disarmed refusal.
“Where are the others?” he asked him, after a glance at it.
“In jail, or else over the border.”
“Already?”
The Rangar nodded. “Trust Yasmini! She saw to that jolly well before she
left Delhi! She would have stayed had there been anything more to do!”
King began to watch the dance again, for it did not feel safe to look
too long into the Rangar's eyes. It was not wise just then to look too
long at anything, or to think too long on any one subject.
“Ismail is slow about returning,” said the Rangar.
“I wrote at the foot of the tar,” said King, “that they are to detain
him there until the answer comes.”
The Rangar's eyes blazed for a second and then grew cold again (as King
did not fail to observe). He knew as well as the Rangar that not many
men would have kept their will so unfettered in that room as to be able
to give independent orders. He recognized resignation, temporary at
least, in the Rangar's attitude of leaning back again to watch from
under lowered eyelids. It was like being watched by a cat.
All this while the women danced on, in time to wailing flute-music,
until, it seemed from nowhere, a lovelier woman than any of them
appeared in their midst, sitting cross-legged with a flat basket at her
knees. She sat with arms raised and swayed from the waist as if in a
delirium. Her arms moved in narrowing circles, higher and higher above
the basket lid, and the lid began to rise. Nobody touched it, nor was
there any string, but as it rose it swayed with sickening monotony.
It was minutes before the bodies of two great king-cobras could be
made out, moving against the woman's spangled dress. The basket lid was
resting on their heads, and as the music and the chanting rose to a wild
weird shriek the lid rose too, until suddenly the woman snatched the
lid away and the snakes were revealed, with hoods raised, hissing the
cobra's hate-song that is prelude to the poison-death.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account