King--of the Khyber Rifles: A Romance of Adventure — John Shaqi
King--of the Khyber Rifles: A Romance of AdventureMundy, Talbot
History
King--of the Khyber Rifles: A Romance of Adventure
Mundy, Talbot
British -- India -- Fiction; Historical fiction; India -- History -- Sepoy Rebellion, 1857-1858 -- Fiction; Love stories; War stories
“In the old Mir Khan Palace. We were short of jail room and had to
improvise. The horse-stalls there have come in handy more than once
before. Shall we take this gharry?”
With Ismail up beside the driver nursing King's bag and looking like
a great grim vulture about to eat the horse, they drove back through
swarming streets in the direction of the river. King seemed to have lost
all interest in crowds. He scarcely even troubled to watch when they
were held up at a cross-roads by a marching regiment that tramped as if
it were herald of the Last Trump, with bayonets glistening in the street
lights. He sat staring ahead in silence, although Saunders made more
than one effort to engage him in conversation.
“No!” he said at last suddenly--so that Saunders jumped.
“No what?”
“No need to stay here. I've got what I came for!”
“What was that?” asked Saunders, but King was silent again. Conscious of
the unaccustomed weight on his left wrist, he moved his arm so that the
sleeve drew and he could see the edge of the great gold bracelet Rewa
Gunga had given him in Yasmini's name.
“Know anything of Rewa Gunga?” he asked suddenly again.
“The Rangar?”
“Yes, the Rangar. Yasmini's man.”
“Not much. I've seen him. I've spoken with him, and I've had to stand
impudence from him--twice. I've been tipped off more than once to let
him alone because he's her man. He does ticklish errands for her, or so
they say. He's what you might call 'known to the police' all right.”
They began to approach an age-old palace near the river, and Saunders
whispered a pass-word when an armed guard halted them. They were halted
again at a gloomy gateway where an officer came out to look them over;
by his leave they left the gharry and followed him under the arch
until their heels rang on stone paving in a big ill-lighted courtyard
surrounded by high walls.
There, after a little talk, they left Ismail squatting beside King's
bag, and Saunders led the way through a modern iron door, into what had
once been a royal prince's stables.
In gloom that was only thrown into contrast by a wide-spaced row of
electric lights, a long line of barred and locked converted horse-stalls
ran down one side of a lean-to building. The upper half of each locked
door was a grating of steel rods, so that there was some ventilation for
the prisoners; but very little light filtered between the bars, and all
that King could see of the men within was the whites of their eyes. And
they did not look friendly.
He had to pass between them and the light, and they could see more of
him than he could of them. At the first cell he raised his left hand and
made the gold bracelet on his wrist clink against the steel bars.
A moment later be cursed himself, and felt the bracelet with his
fingernail. He had made a deep nick in the soft gold. A second later yet
he smiled.
“May God be with thee!” boomed a prisoner's voice in Pashtu.
Public-domain text, read in full here on John Shaqi.
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