Kings, Queens and Pawns: An American Woman at the FrontRinehart, Mary Roberts
History
Kings, Queens and Pawns: An American Woman at the Front
Rinehart, Mary Roberts
World War, 1914-1918 -- Personal narratives
Here in Hyde Park that spring day was all the panoply of war: bands
playing, the steady tramp of numberless feet, the muffled clatter of
accoutrements, the homage of the waiting crowd. And they deserved
homage, those fine, upstanding men, many of them hardly more than
boys, marching along with a fine, full swing. There is something
magnificent, a contagion of enthusiasm, in the sight of a great
volunteer army. The North and the South knew the thrill during our own
great war. Conscription may form a great and admirable machine, but it
differs from the trained army of volunteers as a body differs from a
soul. But it costs a country heavy in griefs, does a volunteer army;
for the flower of the country goes. That, too, America knows, and
England is learning.
They marched by gaily. The drums beat. The passers-by stopped. Here
and there an open carriage or an automobile drew up, and pale men,
some of them still in bandages, sat and watched. In their eyes was the
same flaming eagerness, the same impatience to get back, to be loosed
against the old lion's foes.
For King and Country!
All through England, all through France, all through that tragic
corner of Belgium which remains to her, are similar armies, drilling
and waiting, equally young, equally eager, equally resolute. And the
thing they were going to I knew. I had seen it in that mysterious
region which had swallowed up those who had gone before; in the
trenches, in the operating, rooms of field hospitals, at outposts
between the confronting armies where the sentries walked hand in hand
with death. I had seen it in its dirt and horror and sordidness, this
thing they were going to.
War is not two great armies meeting in a clash and frenzy of battle.
It is much more than that. War is a boy carried on a stretcher,
looking up at God's blue sky with bewildered eyes that are soon to
close; war is a woman carrying a child that has been wounded by a
shell; war is spirited horses tied in burning buildings and waiting
for death; war is the flower of a race, torn, battered, hungry,
bleeding, up to its knees in icy water; war is an old woman burning a
candle before the Mater Dolorosa for the son she has given. For King
and Country!
CHAPTER I
TAKING A CHANCE
I started for the Continent on a bright day early in January. I was
searched by a woman from Scotland Yard before being allowed on the
platform. The pockets of my fur coat were examined; my one piece of
baggage, a suitcase, was inspected; my letters of introduction were
opened and read.
"Now, Mrs. Rinehart," she said, straightening, "just why are you
going?"
I told her exactly half of why I was going. I had a shrewd idea that
the question in itself meant nothing. But it gave her a good chance to
look at me. She was a very clever woman.
Public-domain text, read in full here on John Shaqi.
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