Kings, Queens and Pawns: An American Woman at the Front — John Shaqi
Kings, Queens and Pawns: An American Woman at the FrontRinehart, Mary Roberts
History
Kings, Queens and Pawns: An American Woman at the Front
Rinehart, Mary Roberts
World War, 1914-1918 -- Personal narratives
This is the base hospital for the Belgian lines. The men come here
with the most frightful injuries. As I entered the building to-night
the long tiled corridor was filled with the patient and quiet figures
that are the first fruits of war. They lay on portable cots, waiting
their turn in the operating rooms, the white coverings and bandages
not whiter than their faces.
11 P.M. The Night Superintendent has just been in to see me. She says
there is a baby here from Furnes with both legs off, and a nun who
lost an arm as she was praying in the garden of her convent. The baby
will live, but the nun is dying.
She brought me a hot-water bottle, for I am still chilled from my long
ride, and sat down for a moment's talk. She is English, as are most of
the nurses. She told me with tears in her eyes of a Dutch Red Cross
nurse who was struck by a shell in Furnes, two days ago, as she
crossed the street to her hospital, which was being evacuated. She was
brought here.
"Her leg was shattered," she said. "So young and so pretty she was,
too! One of the surgeons was in love with her. It seemed as if he
could not let her die."
How terrible! For she died.
"But she had a casket," the Night Superintendent hastened to assure
me. "The others, of course, do not. And two of the nurses were
relieved to-day to go with her to the grave."
I wonder if the young surgeon went. I wonder--
The baby is near me. I can hear it whimpering.
Midnight. A man in the next room has started to moan. Good God, what a
place! He has shell in both lungs, and because of weakness had to be
operated on without an anæsthetic.
2 A.M. I cannot sleep. He is trying to sing "Tipperary."
English battleships are bombarding the German batteries at Nieuport
from the sea. The windows rattle all the time.
6 A.M. A new day now. A grey and forbidding dawn. Sentries every
hundred yards along the beach under my window. The gunboats are moving
out to sea. A number of French aeroplanes are scouting overhead.
The man in the next room is quiet.
* * * * *
Imagine one of our great seaside hotels stripped of its bands, its gay
crowds, its laughter. Paint its many windows white, with a red cross
in the centre of each one. Imagine its corridors filled with wounded
men, its courtyard crowded with ambulances, its parlours occupied by
convalescents who are blind or hopelessly maimed, its card room a
chapel trimmed with the panoply of death. For bathchairs and bathers
on the sands substitute long lines of weary soldiers drilling in the
rain and cold. And over all imagine the unceasing roar of great guns.
Then, but feebly, you will have visualised the Ambulance Ocean at La
Panne as I saw it that first winter of the war.
Public-domain text, read in full here on John Shaqi.
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