Kitty Alone: A Story of Three Fires (vol. 1 of 3)Baring-Gould, S. (Sabine)
General
Kitty Alone: A Story of Three Fires (vol. 1 of 3)
Baring-Gould, S. (Sabine)
English fiction -- 19th century
Jason Quarm was a short, stoutly-built man, with a restless grey eye,
with shaggy, long, sandy hair that burst out from beneath a battered
beaver hat. He was somewhat lame, wherefore he maintained a donkey, and
drove about the country seated cross-legged in the bottom of his cart,
only removed from the bottom boards by a wisp of straw, which became
dissipated from under him with the joltings of the conveyance. Then
Jason would struggle to his knees, take the reins in his teeth, scramble
backwards in his cart, rake the straw together again into a heap, reseat
himself, and drive on till the exigencies of the case necessitated his
going through the same operations once more.
Coombe Cellars, which Jason Quarm approached, was a cluster of roofs
perched on low walls, occupying a promontory in the estuary of the
Teign, in the south of Devon. A road, or rather a series of ruts, led
direct to Coombe Cellars, cut deep in the warm red soil; but they led no
farther.
Coombe Cellars was a farmhouse, a depôt of merchandise, an eating-house,
a ferry-house, a discharging wharf for barges laden with coal, a
lading-place for straw, and hay, and corn that had to be carried away on
barges to the stables of Teignmouth and Dawlish. Facing the water was a
little terrace or platform, gravelled, on which stood green benches and
a green table.
The sun of summer had blistered the green paint on the table, and
persons having leisure had amused themselves with picking the skin off
these blisters and exposing the white paint underneath, and then, with
pen or pencil, exercising their ingenuity in converting these bald
patches into human faces, or in scribbling over them their own names and
those of the ladies of their heart. Below the platform at low water the
ooze was almost solidified with the vast accumulation of cockle and
winkle shells thrown over the edge, together with bits of broken plates,
fragments of glass, tobacco-pipes, old handleless knives, and sundry
other refuse of a tavern.
Above the platform, against the wall, was painted in large letters, to
be read across the estuary--
PASCO PEPPERILL,
HOT COCKLES AND WINKLES,
TEA AND COFFEE ALWAYS READY.
Some wag with his penknife had erased the capital H from “Hot,” and had
converted the W in “Winkles” into a V, with the object of accommodating
the written language to the vernacular. One of the most marvellous of
passions seated in the human heart is that hunger after immortality
which, indeed, distinguishes man from beast. This deep-seated and awful
aspiration had evidently consumed the breasts of all the “’ot cockle and
vinkle” eaters on the platform, for there was literally not a spare
space of plaster anywhere within reach which was not scrawled over with
names by these aspirants after immortality.
Public-domain text, read in full here on John Shaqi.
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