Kitty Alone: A Story of Three Fires (vol. 1 of 3)Baring-Gould, S. (Sabine)
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Kitty Alone: A Story of Three Fires (vol. 1 of 3)
Baring-Gould, S. (Sabine)
English fiction -- 19th century
“Let me make my thousand by the Brimpts oaks, and I see waves of gold
before me in which I can roll. I’ll be generous. Help me to the oaks,
and I’ll help you to the gold-waves.”
“How is all this to be brought about?”
“Out of mud, old boy, mud!”
“Mud will need a lot of turning to get gold out of it.”
“Ah! wait till I’ve tied up Neddy.”
Jason Quarm hobbled off with his ass, and turned it loose in a paddock.
Then he returned to his brother-in-law, hooked his finger into the
button-hole of Pepperill, and said, with a wink--
“Did you never hear of the philosopher’s stone, that converts whatever
it touches into gold?”
“I’ve heard some such a tale, but it is all lies.”
“I’ve got it.”
“Never!” Pasco started, and turned round and stared at his
brother-in-law in sheer amazement.
“I have it. Here it is,” and he touched his head. “Believe me, Pasco,
this is the true philosopher’s stone. With this I find oaks where the
owners believed there grew but furze; with this I bid these oaks bud
forth and bear bank-notes. And with this same philosopher’s stone I
shall transform your Teign estuary mud into golden sovereigns.”
“Come in.”
“I will; and I’ll tell you how I’ll do it, if you will help me to the
Brimpts oaks. That is step number one.”
CHAPTER II
A LUSUS NATURÆ
The two men entered the house talking, Quarm lurching against his
companion in his uneven progress; uneven, partly because of his lame
leg, partly because of his excitement; and when he wished to urge a
point in his argument, he enforced it, not only by raised tone of voice
and cogency of reasoning, but also by impact of his shoulder against
that of Pepperill.
In the room into which they penetrated sat a girl in the bay window
knitting. The window was wide and low, for the ceiling was low. It had
many panes in it of a greenish hue. It commanded the broad firth of the
river Teign. The sun was now on the water, and the glittering water cast
a sheen of golden green into the low room and into the face of the
knitting girl. It illumined the ceiling, revealed all its cracks, its
cobwebs and flies. The brass candlesticks and skillets and copper
coffee-pots on the chimney-piece shone in the light reflected from the
ceiling.
The girl was tall, with a singularly broad white brow, dark hair, and
long lashes that swept her cheek. The face was pale, and when in repose
it could not be readily decided whether she were good-looking or plain,
but all hesitation vanished when she raised her great violet eyes, full
of colour and sparkling with the light of intelligence.
Public-domain text, read in full here on John Shaqi.
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