Kitty Alone: A Story of Three Fires (vol. 3 of 3)Baring-Gould, S. (Sabine)
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Kitty Alone: A Story of Three Fires (vol. 3 of 3)
Baring-Gould, S. (Sabine)
English fiction -- 19th century
“Gents and neighbours, and friends all,” said Pasco, seating himself,
“as churchwarden, my place is among you, and allow me to stand treat of
rum and water all round’no, better than that, a grand bowl of punch, and
we’ll spoon it out with our good host’s whalebone ladle, and the Queen
Anne shilling in the bottom. Landlord, don’t spare the rum; thanks to my
uncle, I’m a man of means, and can pay my way.”
Marvellous as a solvent is punch. The mere mention of a bowl began to
melt and break up prejudice and fixed opinions. The bassoon had been
persistent in insisting on the criminality of Pepperill; he had urged
every point against him, he had turned aside every argument that tended
to exonerate him. As a man of strict integrity, he was now placed in a
difficult position. Either he must hold to his opinion, rise, bow
stiffly, and decline to drink out of the bowl, to wet his lips with the
generous liquor the churchwarden provided, or else his judgment must
undergo modifications, then a complete _volte face_.
The popping of a cork was heard. At once the bassoon acknowledged that
he had been precipitate in forming his conclusions. A waft of rum and
lemons entered the room. He began to see that there were weighty
considerations which had escaped him hitherto, and which undermined his
convictions. Then came the clink of the ladle in the bowl, as the bowl
was being brought in. The bassoon’s preconceptions went down like a pack
of cards. The whole room was redolent with a fragrant steam, as the
great iron-stoneware bowl was planted on the table. The bassoon was
converted into an ardent, enthusiastic believer in the churchwarden.
Wondrous is the power of conscience. It may lie asleep, it may remain
for long inert, but a little something comes, unexpectedly touches it,
and it springs up to full energy, and resolves amidst much self-reproach
to make amends for the past. So was it in the interior of the bassoon.
The sniff of punch was to his conscience what “Hey, rats!” is to the
dozing dog. It was alive, it was stinging him, it had brought him
metaphorically in penitence to his knees before Pasco Pepperill. He
could not think, say, show himself, sufficiently convinced that that man
who provided and paid for the punch was the embodiment of all virtues,
with a character unstained as is the lily. He trampled on his own base
self, he spurned at it, for having for a while thought evil of so
admirable a man.
“Peter Squance bain’t here. ’Tis a pity’our first fiddle,” said the
second violin. “He’ll be mazed when he comes back with the _molto
largo_, and finds the punch all gone.”
“Gone?” exclaimed Pepperill. “Not a bit of it. When this bowl is done,
we will have another.”
Mr. Pepperill stood up and stirred the steaming sea before him, in which
floated yellow islets of lemon. All eyes were on the bowl, all nostrils
were dilated and sniffing, all mouths watering.
Public-domain text, read in full here on John Shaqi.
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