The following work, in which, at the outset, nothing more was contemplated than a temporary _jeu d’esprit_, was commenced in company with my brother, the late Peter Irving, Esq. Our idea was, to parody a small handbook which had recently appeared, entitled _A Picture of New York_. Like that, our work was to begin with an historical sketch; to be followed by notices of the customs, manners, and institutions of the city; written in a serio-comic vein, and treating local errors, follies, and abuses with good-humored satire. To burlesque the pedantic lore displayed in certain American works, our historical sketch was to commence with the creation of the world; and we laid all kinds of works under contribution for trite citations, relevant, or irrelevant, to give it the proper air of learned research. Before this crude mass of mock erudition could be digested into form, my brother departed for Europe, and I was left to prosecute the enterprise alone. I now altered the plan of the work. Discarding all idea of a parody on the _Picture of New York_ I determined that what had been originally intended as an introductory sketch, should comprise the whole work, and form a comic history of the city. I accordingly moulded the mass of citations and disquisitions into introductory chapters, forming the first book; but it soon became evident to me, that, like Robinson Crusoe with his boat, I had begun on too large a scale, and that, to launch my history successfully, I must reduce its proportions. I accordingly resolved to confine it to the period of the Dutch domination, which, in its rise, progress, and decline, presented that unity of subject required by classic rule. It was a period, also, at that time almost a _terra incognita_ in history. In fact, I was surprised to find how few of my fellow-citizens were aware that New York had ever been called New Amsterdam, or had heard of the names of its early Dutch governors, or cared a straw about their ancient Dutch progenitors. This, then, broke upon me as the poetic age of our city; poetic from its very obscurity; and open, like the early and obscure days of ancient Rome, to all the embellishments of heroic fiction. I hailed my native city, as fortunate above all other American cities, in having an antiquity thus extending back into the regions of doubt and fable; neither did I conceive I was committing any grievous historical sin in helping out the few facts I could collect in this remote and forgotten region with figments of my own brain, or in giving characteristic attributes to the few names connected with it which I might dig up from oblivion.