a fondness for war rather than peace, and a wide distinction between classes, making aristocrats of the few, and villains of the many. Let me add here, as I have been speaking of the romance of “Lancelot du Lac,” that I quite agree with Montluc, who after completing his chronicle of the History of France, observed that it would be found more profitable reading than either Lancelot or Amadis. La Noue especially condemns the latter as corrupting the manners of the age. Southey, again, observes that these chivalric romances acquired their poison in France or in Italy. The Spanish and Portuguese romances he describes as free from all taint. In the Amadis the very well-being of the world is made to rest upon chivalry. “What would become of the world,” it is asked in the twenty-second book of the Amadis, “if God did not provide for the defence of the weak and helpless against unjust usurpers? And how could provision be made, if good knights were satisfied to do nothing else but sit in chamber with the ladies? What would then the world become, but a vast community of brigands?” Lamotte Levayer was of a different opinion. “Les armes,” he says, when commenting upon chivalry and arms generally; “Les armes detruisent tous les arts excepté ceux qui favorisent la gloire.” In Germany, too, where chivalry was often turned to the oppression of the weak rather than employed for their protection, the popular contempt and dread of “knightly principles” were early illustrated in the proverb, “Er will Ritter an mir werden,” He wants to play the knight over me. In which proverb, knight stands for oppressor or insulter. In our own country the order came to be little cared for, but on different grounds.