Such visitors are received with more than ordinary welcome. The emperor
is regardless of expense in his liberality, and his daughter Violetta
whispers to her maid Carinthia that she is already in love with one
of them, but will not say which; a remark which is answered by the
pert maid, that she is in love with both, and would willingly take
either. All goes on joyously until in the course of conversation, and
it is by no means remarkable for brilliancy, the two knights let fall
that they are Christians. Now, you must know, that the established
Church at Trebizond at this time, which is at any period, was heathen.
The court appeared to principally affect Apollo and Diana, while the
poorer people put up with Pan, and abused him for denouncing may-poles!
Well, the Christians had never been emancipated; nay, they had never
been tolerated in Trebizond, and it was contrary to law that the
country should be saved, even in its dire extremity, by Christian
help. The knights are doomed to die, unless they will turn heathens.
This, of course, they decline with a dignified scorn; whereupon, in
consideration of their nobility, they are permitted to choose their
own executioners. They make choice of the ladies, but Violetta and
Carinthia protest that they can not think of such a thing. Their
high-church sire is disgusted with their want of orthodoxy, and he
finally yields to the knights their swords, that they may do justice on
themselves as the law requires. But Andrew and Anthony are no sooner
armed again than they clear their way to liberty, and the drop scene
falls upon the rout of the whole empire of Trebizond.
Public-domain text, read in full here on John Shaqi.
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