At the head of the earl’s table sat his daughter “Phillis the Fair,”
a lady who, like her namesake in the song, was “sometimes forward,
sometimes coy,” and altogether so sweetly smiling and so beguiling,
that when the earl asked Guy if he would not come and hunt (the dinner
was at 10 A. M.), Guy answered, as the Frenchman did who could not bear
the sport, with a _Merci, j’ai été!_ and affecting an iliac seizure,
hinted at the necessity of staying at home.
The youth forthwith was carried to bed. Phillis sent him a posset, the
earl sent him his own physician; and this learned gentleman, after much
perplexity veiled beneath the most affable and confident humbug, wrote
a prescription which, if it could do the patient no good would do him
no harm. He was a most skilful man, and his patients almost invariably
recovered under this treatment. He occasionally sacrificed one or two
when a consultation was held, and he was called upon to prescribe
_secundum artem_; but he compensated for this professional slaying by,
in other cases, leaving matters to Nature, who was the active partner
in his firm, and of whose success he was not in the least degree
jealous. So, when he had written the prescription, Master Guy fell a
discoursing of the passion of love, and _that_ with a completeness and
a variety of illustration as though he were the author of the chapter
on that subject in Burton’s “Anatomy of Melancholy.” The doctor heard
him to the end, gently rubbing one side of his nose the while with the
index-finger of his right hand; and when his patient had concluded, the
medical gentleman smiled, hummed “Phillis is my only joy,” and left the
room with his head nodding like a Chinese Mandarin’s.
By this time the four o’clock sun was making green and gold pillars
of the trees in the neighboring wood, and Guy got up, looked at the
falling leaves, and thought of the autumn of his hopes. He whistled
“Down, derry, down,” with a marked emphasis on the _down_; but suddenly
his hopes again sprang up, as he beheld Phillis among her flower-beds,
engaged in the healthful occupation which a sublime poet has given to
the heroine whom he names, and whose action he describes, when he tells
us that
“Miss Dinah was a-walking in her garding one day.”
Guy trussed his points, pulled up his hose, set his bonnet smartly on
his head, clapped a bodkin on his thigh, and then walked into the
garden with the air of the once young D’Egville in a ballet, looking
after a nymph--which indeed was a pursuit he was much given to when he
was _old_ D’Egville, and could no longer bound through his ballets,
because he was stiff in the joints.
Public-domain text, read in full here on John Shaqi.
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