A year and a half earlier than the date of the above entry, namely,
April 3, 1665, Pepys notices the same play, with some allusions to
the ladies: “To a play at the Duke’s of my Lord Orrery’s, called
‘Mustapha,’ which being not good, made Betterton’s part and Ianthe’s
but ordinary too. All the pleasure of the play was, the king and
my Lady Castlemaine were there; and pretty witty Nell of the
King’s House, and the younger Marshall sat next us, which pleased
me mightily.” The play, however, is not so poor a one as Pepys
describes it, and the cast was excellent. Betterton played Solyman the
Magnificent. Mustapha and Zanga, the sons of Solyman, were played by
Harris and Smith; and Young made a capital Cardinal. Mrs. Betterton
was the Roxalana; and Mrs. Davies, one of those ladies who, like her
sisters, the two Marshalls, Hughes and Nelly, exercised the fatal
attraction over young noblemen and gallants, deplored by Evelyn, was
the magnificent Queen of Hungary. Mustapha continued to be the favorite
play until the theatre closed, when the plague began to spread. Pepys’s
“Ianthe” was Mrs. Betterton, of whom he says, on the 22d October, 1662,
“the players do tell me that Betterton is not married to Ianthe, as
they say; but also that he is a very sober, serious man, studious and
humble, following of his studies, and is rich already with what he gets
and saves.” Betterton, however, married the lady, Miss Saunderson,
in 1663. She had been famous for her Ianthe in Davenant’s “Siege of
Rhodes;” and she played Shakespeare’s heroines with great effect. Pepys
rightly designates the author of the play, Lord Orrery. Lord Broghill
was made Earl of Orrery, five years before Evelyn saw his play. I may
add that Mustapha has appeared in half-a-dozen different versions on
the stage. Probably the worst of these was Mallet’s; the latter author
created great amusement by one of his passages, in which he said:--
“_Future_ sultans
_Have_ shunned the marriage tie;”--
a confusion of tenses which has been compared with a similar error in
the sermons of so correct a writer as Blair (vol. v., third edition,
page 224), “in _future_ periods the light _dawned_ more and more.”
Public-domain text, read in full here on John Shaqi.
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