The rough jokes of the Landvogt remind me of a much greater man than
he--Gaston de Foix, in whose earlier times there was no lack of rough
jokes, too. The portrait of Gaston, with his page helping to buckle on
his armor, by Giorgione da Castel Franco, is doubtless known to most of
my readers--through the engraving, if not the original. It was formerly
the property of the Duke of Orleans; but came, many years ago, into the
possession, by purchase, of Lord Carlisle. The expression of the page
or young squire who is helping to adjust Gaston’s armor is admirably
rendered. That of the hero gives, perhaps, too old a look to a knight
who is known to have died young.
This Gaston was a nephew of Louis XII. His titles were Duke of Nemours
and Count d’Etampes. He was educated by his mother, the sister of King
Louis. She exulted in Gaston as one who was peculiarly her own work.
“Considering,” she says, “how honor became her son, she was pleased to
let him seek danger where he was likely to find fame.” His career was
splendid, but proportionally brief. He purchased imperishable renown,
and a glorious death, in Italy. He gained the victory of Ravenna, at
the cost of his life; after which event, fortune abandoned the standard
of Louis; and Maximilian Sforza recovered the Milanese territories of
his father, Ludovic. This was early in the sixteenth century.
But it is of another Gaston de Foix that I have to speak. I have given
precedence to one bearer of the name, because he was the worthier
man; but the earlier hero will afford us better illustrations of the
home-life of the noble knights who were sovereigns within their own
districts. Froissart makes honorable mention of him in his “Chronicle.”
He was Count de Foix, and kept court at Ortez, in the south of France.
There assembled belted knights and aspiring ’squires, majestic matrons
and dainty damsels. When the Count was not on a war-path, his house
was a scene of great gayety. The jingle of spurs, clash of swords,
tramp of iron heels, virelays sung by men-at-arms, love-songs hummed
by audacious pages, and romances entoned to the lyre by minstrels who
were masters in the art--these, with courtly feasts and stately dances,
made of the castle at Ortez anything but a dull residence. Hawking and
hunting seem to have been “my very good Erle’s” favorite diversion.
He was not so much master of his passions as he was of his retainers;
and few people thought the worse of him simply because he murdered his
cousin for refusing to betray his trust, and cut the throat of the only
legitimate son of the Earl.
Public-domain text, read in full here on John Shaqi.
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