As he blew out his lamp, a panel in the stone wall glided noiselessly
open, and Robert de Quercy appeared upon the threshold--one hand
holding a lamp, the other leading a lady. The lady was veiled; and she
and the knight hurriedly approached Raoul, who as hurriedly rushed
forward to meet them. He had laid his armor by; and they who recollect
Mr. Young in Hotspur, and how _he_ looked in tight buff suit, before he
put his armor on, may have some idea of the rather ridiculous guise in
which Raoul appeared to the lady. But she was used to such sights, and
had not time to remark it even had she not been so accustomed.
Raoul observing that Robert was accompanied only by Gisla, made anxious
inquiry for Rotrude. Gisla in a few words told him that her sister
would speedily be with them, that there was certain danger, even death,
threatening the two cavaliers, and probable peril menacing--as Gisla
remarked, with a blush--those who loved them. The King, she added, had
spoken angrily of coming to purify the palace, as she had heard from
Count Volrade, who appears to have been a Polonius, as regards his
office, with all the gossip, but none of the good sense, of the old
chamberlain in Denmark.
“Death to us!” exclaimed Robert. “Accursed be the prince who
transgresses the Gospel admonition, not to forget his own or his
father’s friends.” “We were the favored servants of Charlemagne,” said
Raoul. “We were of his closest intimacy,” exclaimed Robert. “Never,”
interrupted Raoul, “did he ascend his turret to watch the stars,
without summoning us, his nocturnal pages, as he called us, to his
side.” “He dare not commit such a crime; for the body of Charlemagne is
scarcely sealed down in its tomb; and Louis has not a month’s hold of
the sceptre.”
“He holds it firmly enough, however, to punish villany,” exclaimed
Louis himself, as he appeared in the doorway leading to a flight of
stone stairs by which Gisla had indicated the speedy appearance of
Rotrude.
And here I would beseech my readers to believe that if the word
“tableau!” ought to be written at this situation, and if it appears
to them to be too melo-dramatic to be natural, _I_ am not in fault.
I refer them to all the histories and romances in which this episode
in knightly story is told, and in all they will find that Louis makes
his appearance exactly as I have described, and precisely like Signor
Tamburini in the great scene of Lucrezia Borgia.
Louis having given expression to his startling bit of recitative,
dragged forward Rotrude, whom he had held behind him, by the wrist. The
background was occupied by four guards, wearing hoods; and I can not
think of them without being reminded of those same four old guards,
with M. Desmousseaux at their head, who always represented the Greek or
Roman armies upon the stage of the Théâtre Français, when Talma was the
Nero or the Sylla, the Orestes or the Capitolinus of the night.
Public-domain text, read in full here on John Shaqi.
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