Knights of Art: Stories of the Italian Painters — John Shaqi
Knights of Art: Stories of the Italian PaintersSteedman, Amy
General
Knights of Art: Stories of the Italian Painters
Steedman, Amy
Art -- Juvenile literature; Painters -- Italy
With all his great gifts in his hands, with all the years of youth and
pleasure stretching out green and fair before him, he said good-bye to
earthly joys, and chose rather to serve his Master Christ in the way he
thought was right.
The monks of St. Dominic were the great preachers of those days--men
who tried to make the world better by telling people what they ought to
do, and teaching them how to live honest and good lives. But there are
other ways of teaching people besides preaching, and the young monk who
spent his time bending over the illuminated prayer-book, seeing with
his dreamy eyes visions of saints and white-robed angels, was preparing
to be a greater teacher than them all. The words of the preacher monks
have passed away, and the world pays little heed to them now, but the
teaching of Fra Angelico, the silent lessons of his wonderful pictures,
are as fresh and clear to-day as they were in those far-off years.
Great trouble was in store for the monks of the little convent at
Fiesole, which Fra Angelico and his brother Benedetto had entered.
Fierce struggles were going on in Italy between different religious
parties, and at one time the little band of preaching monks were
obliged to leave their peaceful home at Fiesole to seek shelter in
other towns. But, as it turned out, this was good fortune for the young
painter-monk, for in those hill towns of Umbria where the brothers
sought refuge there were pictures to be studied which delighted his
eyes with their beauty, and taught him many a lesson which he could
never have learned on the quiet slopes of Fiesole.
The hill towns of Italy are very much the same to-day as they were in
those days. Long winding roads lead upwards from the plain below to the
city gates, and there on the summit of the hill the little town is
built. The tall white houses cluster close together, and the
overhanging eaves seem almost to meet across the narrow paved streets,
and always there is the great square, with the church the centre of all.
It would be almost a day's journey to follow the white road that leads
down from Perugia across the plain to the little hill town of Assisi,
and many a spring morning saw the painter-monk setting out on the
convent donkey before sunrise and returning when the sun had set. He
would thread his way up between the olive-trees until he reached the
city gates, and pass into the little town without hindrance. For the
followers of St. Francis in their brown robes would be glad to welcome
a stranger monk, though his black robe showed that he belonged to a
different order. Any one who came to see the glory of their city, the
church where their saint lay, which Giotto had covered with his
wonderful pictures, was never refused admittance.
Public-domain text, read in full here on John Shaqi.
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