Knights of Art: Stories of the Italian Painters — John Shaqi
Knights of Art: Stories of the Italian PaintersSteedman, Amy
General
Knights of Art: Stories of the Italian Painters
Steedman, Amy
Art -- Juvenile literature; Painters -- Italy
The festa day dawned bright and clear, and all Prato was early astir.
Procession after procession wound its way to the church where the relic
was to be shown, and the crowd grew denser every moment. Presently came
the nuns of Santa Margherita. A figure in the crowd pressed nearer.
Lucrezia felt a touch upon her arm, and a strong hand clasped hers. The
crowd swayed to and fro, and in an instant the two figures disappeared.
No one noticed that the young novice was gone, and before the nuns
thought of looking for their charge Lucrezia was on her way to
Florence, her horse led by the painter whom she loved, while his good
friend Fra Diamante rode beside her.
Then the storm burst. Lucrezia's father was furious, the good nuns were
dismayed, and every one shook their heads over this last adventure of
the Florentine painter.
But luckily for Filippo, the great Cosimo still stood his friend and
helped him through it all. He it was who begged the Pope to allow Fra
Filippo to marry Lucrezia (for monks, of course, were never allowed to
marry), and the Pope, too, was kind and granted the request, so that
all went well.
Now indeed was Lucrezia as happy as the day was long, and when the
spring returned once more to Florence, a baby Filippo came with the
violets and lilies.
'How wilt thou know us apart if thou callest him Filippo?' asked the
proud father.
'Ah, he is such a little one, dear heart,' Lucrezia answered gaily. 'We
will call him Filippino, and then there can be no mistake.'
There was no more need now to seek for pleasures out of doors. Filippo
painted his pictures and lived his happy home life without seeking any
more adventures. His Madonnas grew ever more beautiful, for they were
all touched with the beauty that shone from Lucrezia's fair face, and
the Infant Christ had ever the smile and the curly golden hair of the
baby Filippino.
And by and by a little daughter came to gladden their hearts, and then
indeed their cup of joy was full.
'What name shall we give the little maid?' said Filippo.
'Methought thou wouldst have it Lucrezia,' answered the mother.
'There is but one Lucrezia in all the world for me,' he said. 'None
other but thee shall bear that name.'
As they talked a knock sounded at the door, and presently the favourite
pupil, Sandro, looked in. There was a shout of joy from little
Filippino, and the young man lifted the child in his arms and smiled
with the look of one who loves children.
'Come, Sandro, and see the little new flower,' said Filippo. 'Is she
not as fair as the roses which thou dost so love to paint?'
Then, as the young man looked with interest at the tiny face, Filippo
clapped him on the shoulder.
'I have it!' he cried. 'She shall be called after thee, Alessandra.
Some day she will be proud to think that she bears thy name.'
For already Filippo knew that this pupil of his would ere long wake the
world to new wonder.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account