Where the sylvan character of the scene changes; where fields give place to hanging woods and they in their turn thin to poverty and obliquity under eternal stress of western winds, a gate, resting by its own weight against a granite post, indicates the limits of agriculture and forestry upon the southern confines of the Moor. Beneath this standpoint Devon’s unnumbered breasts billow to the misty horizon, and dimpling valleys, between the arable lands and higher wealds, are marked by orchards, water meadows and the winding ways of rivers. These, borne aloft, have come from far, and now, with slower current and ampler volume, roam melodiously through pleasant lees, through denes and dingles of sweet flowers, beneath the music of birds and the shadows of great woodlands, to their confluence with the sea. Here, too, lie hamlets and rise crocketed church towers; peat reek sweetens the air; blue doves croon through blue smoke on many a low thatched cot; and life moves in simplicity and apparent peace. The habitations of men glimmer with white-washed walls at fringes of forests, at wind-blown crossways, about small village greens, on lonely roads, by steep hillsides and among sunny combes. Homesteads rise in isolation along the edges of the great central loneliness; whole villages lie in the lap of the hills; and the manifold planes of this spacious scene, whether under flying cloud-shadows or grey rain, midday sunlight or the splendour of summer moons, commingle in one vision, whose particulars only vary to the play of the dawn and sunset lights, to the hands of the roaming elements, to the seasons that bring in turn awakening life and music, high colour-pageants and dying pomps, ultimate sobrieties and snows.