English fiction -- 20th century; Short stories, English
Of Timothy it may be recorded that he fought fiercely, then with waning
strength, and finally succumbed and lost his battle. By slow degrees his
intimacy with Sarah grew. Neither sought the other; but love dragged
them together. The man hid it from his small world, or fancied that he
did so; the girl blushed in secret and knew that what she had mistaken
for love was mere attachment—an emotion as far removed from her affection
for Timothy as the bloodless moonbeams from the flush of a rosy sunrise.
A time came, and that quickly, when she could deceive herself no longer,
and she knew that her life hung on her lover, while the other man was no
more than a sad cloud upon the horizon of the future.
Frosts temporarily retarded the thaw, and Timothy and Sarah walked
together at evening time in a great pine wood. A footpath, ribbed and
fretted with snakelike roots, extended here, and moving along it they
sighed, while the breath of the great trees bore their suspirations aloft
into the scented silence. One band of orange light hung across the west
and the evening star twinkled diamond-bright upon it, while
perpendicularly against the splendour sprang the lines of pine trunks,
dimmed aloft with network of broken and naked boughs, merging above into
a sombre crown of accumulated foliage. Cushions of dead needles were
crisp under foot and the whisper of growing ice tinkled on the ear.
“’Tis vain to lie—at least to you an’ to myself. I love ’e, Tim; I love
’e wi’ all my poor heart—all—all of it.”
Her breath left her red lips in a little cloud and she hung her head
hopelessly down.
“God can tell why such cruel things happen, dearest. Yet you loved him
too—poor chap.”
“Never. ’Tis the difference ’tween thinkin’ an’ knowin’—a difference
wide as the Moor. I never knowed love; I never knowed as theer was such
a—but this be wicked talk. You’ve winned the solemn truth out o’ me; an’
that must content ’e. I never could ax un to give me up—him so gude an’
workin’ that terrible hard to make a home for me.”
“What will the home be when you’ve got it? Some might think it was
better that one should suffer instead of two.”
“I couldn’t leave him, out of pity.”
“You must think of yourself, too, Sarah—if not of me. I hate saying so,
but when your life’s salvation hangs on it, who can be dumb? John
Aggett’s a big-hearted, honest man; yet he hasn’t our deep feelings; it
isn’t in him to tear his heart to tatters over one woman as I should.”
“Us can’t say what deeps a man may have got hid in him.”
Public-domain text, read in full here on John Shaqi.
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