English fiction -- 20th century; Short stories, English
Now thundered upon John Aggett the full flood of his griefs at highest
water-mark. Until this time hopes had alternated with fears,
possibilities of recovered joy with the thought of utter loss. Then he
had possessed Sarah’s promises and the consciousness that in his hands,
not another’s, lay the future. But now John had departed out of her life
for good and all, and the great act of self-renunciation was complete.
To the highest-minded and noblest soul something in the nature of
anti-climax must have followed upon this action. That one capable of so
great a deed and such unselfish love possessed ample reserves of
self-command and self-control to live his life henceforward on the same
high plane by no means followed. Having by his own act insured the
highest good for the woman he loved, John Aggett’s subsequent display
sank far below that standard and indeed embraced a rule of life inferior
to his usual conduct. A supreme unconcern as to what might now await him
characterised his actions. As a lighthouse lamp illuminates some horror
of sea and stone, so his notable deed shone in a sorry setting, for John
Aggett’s existence now sank as much below its usual level of indifferent
goodness as his relinquishment of Sarah Belworthy, for love of her, had
risen above it. Until the present his attachment to the girl and hope of
happiness had made him a hard-working man, and since his engagement he
had laboured with the patience of a beast and counted weariness a delight
as the shillings in his savings-box increased. Now incentive to further
work was withdrawn, he abated his energies, lacking wit to realise that
upon sustained toil and ceaseless mental occupation his salvation might
depend. His final departure from Bellever Barton was brought about as
the result of a curious interview with his master.
To Farmer Chave, young Timothy, now reestablished with Sarah, had come to
break the news of his betrothal. But no parental congratulation rewarded
the announcement. Mr. Chave knew every man and woman in Postbridge, and
was familiar with the fact that the blacksmith’s daughter had long been
engaged to his cowman. That his son and heir should favour a labourer’s
sweetheart was a galling discovery and provoked language of a sort seldom
heard even in those plain-speaking times. Finally the father dismissed
his son, bade him get out of sight and conquer his calf-love once and for
all or hold himself disinherited. A little later he acted on his own
shrewd judgement and held converse with Sarah’s original suitor.
John was milking as the farmer entered his cow-yard, and a flood of
sunlight slanted over the low byre roofs and made the coats of the cattle
shine ripe chestnut red.
“Evenin’ to ’e, Aggett. Leave that job an’ come an’ have a tell wi’ me.
I wants to speak to ’e.”
“Evenin’, maister. I’ll milk `Prim’ dry, ’cause she do awnly give down
to me. Milly can do t’others.”
Public-domain text, read in full here on John Shaqi.
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