English fiction -- 20th century; Short stories, English
“Her never loved me—never—never,” he said to the night. “To leave me
arter what I said—to leave me now knowin’—’Tis enough. I be tired—I be
weary of the whole earth. Her lied to me through it all; but I won’t lie
to she.”
He flung down the belt, then picked it up again and removed a little bag
that was fastened to it and contained a few shillings in silver. This he
placed beside his bundle. Then he flung the long snaky coil of the
girdle upon the ground and stood staring at it.
Elsewhere, Sarah, hastening down the hill five minutes after John had
noted Timothy at the gate of the hayfield, similarly saw and recognised
him. His presence reminded her of a fact entirely forgotten during the
recent storm and stress. He was there by appointment and eager to hear
the first rustle of his sweetheart’s approach. Now her heart flogged at
her breast and she felt her knees weaken. But she kept steadily on with
averted face and instinct quick to find concealment in every shadow. She
drew her hood about her and walked upon the grass by the wayside.
The man heard and turned, waking from a reverie. He saw his sweetheart
even as she passed him by.
“Sally! It is Sally!” he cried.
She did not answer, though his voice shook her to the well-springs of her
life; and he, supposing that she was about some lover’s pretty folly,
laughed joyously and came after her. Then she hastened the more, and he
did likewise.
“A starlight chase! So be it, sweetheart; but you’ll have to pay a heavy
penalty when I catch you!”
Still she could not speak; then, perceiving that he must speedily
overtake her, she found her tongue.
“For Christ’s sake, doan’t ’e follow me! ’Tis life—life an’ death.
Ban’t no time for play. Turn back, Tim, turn back if you ever loved me.”
Her tone alarmed him and he hesitated a moment, then came steadily on
again, calling to Sarah to stop.
“Tell me what’s amiss—quick—quick, dear one! Who should help you in the
whole world but your Tim?”
Public-domain text, read in full here on John Shaqi.
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