Kora in Hell: ImprovisationsWilliams, William Carlos
General
Kora in Hell: Improvisations
Williams, William Carlos
Prose poems
Homer sat in a butcher’s shop one rainy night and smelt fresh meat near
him so he moved to the open window. It is infinitely important that I do
what I well please in the world. What you please is that I please what
you please but what I please is well rid of you before I turn off from
the path into the field. What I am, why that they made me. What I do,
why that I choose for myself. Reading shows, you say. Yes, reading shows
reading. What you read is what they think and what they think is twenty
years old or twenty thousand and it’s all one to the little girl in the
_pissoir_. Likewise to me. But the butcher was a friendly fellow so he
took the carcass outside thinking Homer to be no more than any other
beggar.
* * * * *
_A man’s carcass has no more distinction than the carcass of an ox._
XVII.
1
Little round moon up there—wait awhile—do not walk so quickly. I could
sing you a song—: Wine clear the sky is and the stars no bigger than
sparks! Wait for me and next winter we’ll build a fire and shake up
twists of sparks out of it and you shall see yourself in the ashes,
young—as you were one time.
* * * * *
_It has always been the fashion to talk about the moon._
2
This that I have struggled against is the very thing I should have
chosen—but all’s right now. They said I could not put the flower back
into the stem nor win roses upon dead briars and I like a fool believed
them. But all’s right now. Weave away, dead fingers, the darkies are
dancing in Mayaguez—all but one with the sore heel and sugar cane will
soon be high enough to romp through. Haia! leading over the ditches,
with your skirts flying and the devil in the wind back of you—no one
else. Weave away and the bitter tongue of an old woman is eating, eating,
eating venomous words with thirty years mould on them and all shall be
eaten back to honeymoon’s end. Weave and pangs of agony and pangs of
loneliness are beaten backward into the love kiss, weave and kiss recedes
into kiss and kisses into looks and looks into the heart’s dark—and
over again and over again and time’s pushed ahead in spite of all that.
The petals that fell bearing me under are lifted one by one. That which
kissed my flesh for priest’s lace so that I could not touch it—weave
and you have lifted it and I am glimpsing light chinks among the notes!
Backward, and my hair is crisp with purple sap and the last crust’s
broken.
* * * * *
_A woman on the verge of growing old kindles in the mind of her son a
certain curiosity which spinning upon itself catches the woman herself
in its wheel, stripping from her the accumulations of many harsh years
and shows her at last full of an old time suppleness hardly to have been
guessed by the stiffened exterior which had held her fast till that time._
3
Public-domain text, read in full here on John Shaqi.
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