Kora in Hell: ImprovisationsWilliams, William Carlos
General
Kora in Hell: Improvisations
Williams, William Carlos
Prose poems
After thirty years staring at one true phrase he discovered that its
opposite was true also. For weeks he laughed in the grip of a fierce
self derision. Having lost the falsehood to which he’d fixed his hawser
he rolled drunkenly about the field of his environment before the new
direction began to dawn upon his cracked mind. What a fool ever to be
tricked into seriousness. Soft hearted, hard hearted. Thick crystals
began to shoot through the liquid of his spirit. Black, they were:
branches that have lain in a fog which now a wind is blowing away.
Things move. Fatigued as you are watch how the mirror sieves out the
extraneous: in sleep as in waking. Summoned to his door by a tinkling
bell he looked into a white face, the face of a man convulsed with
dread, saw the laughter back of its drawn alertness. Out in the air:
the sidesplitting burlesque of a sparkling midnight stooping over a
little house on a sandbank. The city at the horizon blowing a lurid red
against the flat cloud. The moon masquerading for a tower clock over the
factory, its hands in a gesture that, were time real, would have settled
all. But the delusion convulses the leafless trees with the deepest
appreciation of the mummery: insolent poking of a face upon the half-lit
window from which the screams burst. So the man alighted in the great
silence, with a myopic star blinking to clear its eye over his hat top.
He comes to do good. Fatigue tickles his calves and the lower part of
his back with solicitous fingers, strokes his feet and his knees with
appreciative charity. He plunges up the dark steps on his grotesque deed
of mercy. In his warped brain an owl of irony fixes on the immediate
object of his care as if it were the thing to be destroyed, guffaws at
the impossibility of putting any kind of value on the object inside or of
even reversing or making less by any other means than induced sleep—which
is no solution—the methodical gripe of the sufferer. Stupidity couched
in a dingy room beside the kitchen. One room stove-hot, the next the
dead cold of a butcher’s ice box. The man leaned and cut the baby from
its stem. Slop in disinfectant, roar with derision at the insipid blood
stench: hallucination comes to the rescue on the brink of seriousness:
the gas-stove flame is starblue, violets back of L’Orloge at Lancy. The
smile of a spring morning trickles into the back of his head and blinds
the eyes to the irritation of the poppy red flux. A cracked window blind
lets in Venus. Stars. The hand-lamp is too feeble to have its own way.
The vanity of their neck stretching, trying to be large as a street-lamp
sets him roaring to himself anew. And rubber gloves, the color of moist
dates, the identical glisten and texture: means a ballon trip to Fez.
So one is a ridiculous savior of the poor, with fatigue always at his
elbow with a new jest, the newest smutty story, the prettiest defiance
of insipid pretences that cannot again assert divine right—nonsensical
Public-domain text, read in full here on John Shaqi.
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