Kora in Hell: ImprovisationsWilliams, William Carlos
General
Kora in Hell: Improvisations
Williams, William Carlos
Prose poems
Neatness and finish; the dust out of every corner! You swish from room
to room and find all perfect. The house may now be carefully wrapped
in brown paper and sent to a publisher. It is a work of art. You look
rather askance at me. Do not believe I cannot guess your mind, yet I have
my studies. You see, when the wheel’s just at the up turn it glimpses
horizon, zenith, all in a burst, the pull of the earth shaken off, a
scatter of fragments, significance in a burst of water striking up from
the base of a fountain. Then at the sickening turn toward death the
pieces are joined into a pretty thing, a bouquet frozen in an ice-cake.
_This_ is art, _mon cher_, a thing to carry up with you on the next turn;
a very small thing, inconceivably feathery.
* * * * *
_Live as they will together a husband and wife give each other many a
sidelong glance at unlikely moments. Each watches the other out of the
tail of his eye. Always it seems some drunkeness is waiting to unite
them. First one then the other empties some carafe of spirits forgetting
that two lumps of earth are neither wiser nor sadder.… A man watches his
wife clean house. He is filled with knowledge by his wife’s exertions.
This is incomprehensible to her. Knowing she will never understand his
excitement he consoles himself with the thought of art._
3
The pretension of these doors to broach or to conclude our pursuits, our
meetings,—of these papered walls to separate our thoughts of impossible
tomorrows and these ceilings—that are a jest at shelter.… It is laughter
gone mad—of a holiday—that has frozen into this—what shall I say? Call
it, this house of ours, the crystal itself of laughter, thus peaked and
faceted.
* * * * *
_It is a popular superstition that a house is somehow the possession of
the man who lives in it. But a house has no relation whatever to anything
but itself. The architect feels the rhythm of the house drawing his mind
into opaque partitions in which doors appear, then windows and so on
until out of the vague or clearcut mind of the architect the ill-built or
deftly-built house has been empowered to draw stone and timbers into a
foreappointed focus. If one shut the door of a house he is to that extent
a carpenter._
_Coda_
Outside, the north wind, coming and passing, swelling and dying, lifts
the frozen sand drives it arattle against the lidless windows and
we my dear sit stroking the cat stroking the cat and smiling
sleepily, prrrrr.
* * * * *
_A house is sometimes wine. It is more than a skin. The young pair
listen attentively to the roar of the weather. The blustering cold takes
on the shape of a destructive presence. They loosen their imaginations.
The house seems protecting them. They relax gradually as though in the
keep of a benevolent protector. Thus the house becomes a wine which has
drugged them out of their senses._
XXII.
1
Public-domain text, read in full here on John Shaqi.
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