[Illustration: PAGODA AT SEOUL]
CHAPTER II
Physical peculiarities—Direction of advancement—Indications of
reform and prosperity—Chemulpo—Population—Settlement—Trade
[Illustration: A MOMENT OF LEISURE]
Korea is an extremely mountainous country. Islands, harbours, and
mountains are its most pronounced natural features, and nearly the whole
of the coast consists of the slopes of the various mountain ranges which
come down to the sea. There are many patches upon the west, where the
approaches are less precipitous and rugged than upon the east. The coast
seems to follow the contour of the mountains. It presents, particularly
from the east, that lofty and inaccessible barrier of forest-clad
country, which has won the admiration of all navigators and struck
terror into the hearts of those who have met with disaster upon its
barren and rocky shores. From Paik-tu-san to Wi-ju there is one mighty
and natural panorama of mountains with snow-clad, cloud-wrapped summits,
and beautiful valleys with rich crops and quaintly placed, low-thatched
hovels, through which rivers course like angry silver. Everywhere in the
north the mountains predominate; monstrous in shape and size. They are
rich in minerals; they have become sepulchres for the dead and mines for
the living—for in their keeping lies the wealth of the ages, coal and
iron and gold; upon their summits, resting beneath the sky or within some
nook hewn from their rugged slopes, are the graves of the dead. Mining
and agriculture are almost the sole natural resources of the kingdom.
There are great possibilities, however, in the awakening energies and
instincts of the people, which may lead them to create markets of their
own by growing more than suffices for their immediate requirements. As
yet, notwithstanding the improvements which have been inaugurated, and
the industrial schemes, which the government has introduced, the reform
movement lacks cohesion. Indeed the nation is without ambition. But the
prospect is hopeful. Already something has been accomplished in the right
direction.
Public-domain text, read in full here on John Shaqi.
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