Korean Buddhism: History—Condition—ArtStarr, Frederick
Religion
Korean Buddhism: History—Condition—Art
Starr, Frederick
Art -- Korea; Buddhism -- Korea; Buddhist art
hundreds of years it has been read in the original Chinese by Chinese,
Koreans and Japanese. To-day Koreans may read it in their own language,
printed in _on-mun_.
All these signs of life seem to show that Korean Buddhism is far from
dead. It is coming forth from its mountain exile and bids fair to make
itself felt in the future.
Let us examine for a moment the organization of an ordinary monastery.
The monasteries are scattered through the mountains. Many of them are in
remote places and it is difficult to reach them. Some are so far back
that it would be impossible for them to go farther. I have no fears that
ordinary tourists will spoil my delight in Pawpchu-sa, or Hain-sa, or
Yu-chom-sa. If one desires to see them he must pay the price. Take
Pawpchu-sa for instance. To see it we dismounted from the railroad train
and took a Ford car across country ten miles to a little district
capital; the next day, by government automobile, we went out over a road
which had just been put in good order—there was only one break in it
that was serious; for forty miles we travelled over this mountain road,
deeper and deeper among the hills, up and up into the narrowing valley,
until with mountains on all sides of us we reached the village of Poun.
There we abandoned the automobile. The party went by horses, but a chair
had been provided for my benefit. I hate chairs, and would have much
preferred a horse, though Korean horses are little creatures and
disagreeable. Their gait is as bad as anything one can imagine; there is
nothing like a saddle, but only a broad cushion, without stirrups, and
the traveller’s legs hang down over the front of the cushion, one foot
on each side of the horse’s neck and the rider has no control whatever
over the horse; nor has anyone else, although the _mapu_, or “boy,” runs
along beside and hangs on to the halter or strikes the beast with stick
or whip. I hate a Korean horse, but I hate a chair worse. However, we
started, the rest on horses. When we had gone about half a mile the
chair carriers, though professionals, declared they could go no farther;
this, of course, was a mere question of weight; it was, however, a great
relief to me. Promptly an exchange was made with my little Japanese
photographer and interpreter, who took the chair, while I mounted his
horse—the smallest and weakest of the outfit. We travelled on and on for
miles; we passed one ridge behind another and another and another, until
at last we reached Pawpchu-sa. Anyone who really journeys to Pawpchu-sa
has my regard and blessing.
[Illustration: PLATE XIV
Great Buddha relief on rock face: Inner Kongo
[Page 70]]
Public-domain text, read in full here on John Shaqi.
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