Kultur in Cartoons: With accompanying notes by well-known English writers — John Shaqi
Kultur in Cartoons: With accompanying notes by well-known English writersRaemaekers, Louis
History
Kultur in Cartoons: With accompanying notes by well-known English writers
Raemaekers, Louis
World War, 1914-1918 -- Caricatures and cartoons
The professorial pedant who directs the internal administration of the
Prussian autocracy has created a system which justly rouses the
admiration of all who study the methods of cleverness and ingenuity. The
last ounce of food is weighed out, the last egg is counted and
distributed, and the last pfennig is taken from the safe of the private
individual for the use of the State and replaced by the paper of War
Loans. It is an astonishing triumph of economy and skill, but to
Raemaekers it is all imposture. Such achievements of mere cleverness
mean nothing to him; he knows that this is not the truth of the world,
for he cannot hear in it any trace of the harmony and the divine music
of the universe; and here he points the real fact that lies under and
behind this whole pretentious sham. The very ham which lies on the table
is merely wood, painted to look like a ham, while the safe is labelled
in Dutch with the words: “All is gold that glitters in here.” The wisdom
of experience struck out the proverb “All is not gold that glitters,”
but the official direction of the German Empire will have it that
everything that glitters in the German _bureau_ is gold. The future will
reveal whether that proverb or the new professorial dictum is correct.
The Dutch artist has no doubt about it.
The official who is now putting on his coat is going to button it over a
great cushion of imposture, which will give him the appearance of good
feeding and good condition of body. He has arranged his wares to deceive
the people and to make them think that they have everything, when they
have only the barest minimum. What more should they require? Everything
that is needed is at their disposal, whether it be food or wood. What
more could they want? The world wants a good deal more, but the docile
German is content--up to a certain point.
WILLIAM MITCHELL RAMSAY.
[Illustration]
_Wittenberg_
The “Black Hole of Calcutta” and the “Well of Cawnpore,” those dark
spots on the history of India, stand out in their blackness against
fairly light surroundings. Wittenberg, as dark in its way as either,
scarcely stands out in the History of Brutality which is the history of
the German conduct of the great war.
The terrible thing about Germany is the fact that she seems to have
taken out letters patent for vileness; that vileness has become her
right and prerogative, and that the neutral nations have accepted the
fact as a natural one.
A very mean man, once he gets a reputation for meanness, can commit mean
acts without raising much adverse comment.
In the same way Germany, by a system of uniform brutality, can commit
“Wittenbergs” without creating any great excitement in the minds of
neutral onlookers.
If England were to starve her German prisoners and set dogs on them and
thrash them, and force them to labor after the fashion of Germany, the
howl of outraged neutrals would be heard through the two Americas and
the Scandinavias.
Public-domain text, read in full here on John Shaqi.
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