Kultur in Cartoons: With accompanying notes by well-known English writersRaemaekers, Louis
History
Kultur in Cartoons: With accompanying notes by well-known English writers
Raemaekers, Louis
World War, 1914-1918 -- Caricatures and cartoons
But if, as the artist suggests, and the plainest reading of the facts of
the fruitless Verdun assault seems to confirm, lives of men were
squandered in a reckless attempt to save the princeling’s face (which
was, in fact, beyond saving), then does he richly deserve the grim
decoration with which in the name of infamy he is here invested--the
Order of Butchery, with knives. And you may view the crosses upon the
pathetic mounds before Verdun as so many entries in the Recording
Angel’s ledger.
JOSEPH THORP.
[Illustration]
_Duty v. Militarism_
Same here!
Same, I suppose, in every country.
The final necessity has put to the proof that which goes to the making
of a man and of a nation.
The man who is prepared to lay down his life for his country simply
regards it as a duty, and does it regardless of everything. And Duty is
a noble leader.
The man who is not prepared to give up his usual pleasures and
dissipations, even though his country be in extremity, looks askance at
the call, labels it militarism, and will have none of it.
Every age and every nation has its shirkers, who have been only too
willing to let any but themselves bear their burdens so that their own
personal comfort might not be interfered with. And shirkers such as
these have the deserved contempt of every honest man.
But, in strictest justice to the few--like the Friends, and those who
believe with them that force is no remedy--while one cannot but wonder
what would have become of the world if evil were to be allowed to ravage
it at will, and while one finds it difficult to view matters from their
standpoint, it must be acknowledged that the military coercion of
genuine conscience in these days is an anachronism which galls one’s
feelings.
The one thing we have now to guard against in this free land of ours is
lest in breaking by force the unspeakable tyranny of Prussian militarism
we lay our own necks under an equal yoke.
JOHN OXENHAM.
[Illustration]
_The Troubadour_
Germania loved music and so the troubadour sang to her.
Gaily the troubadour sang of glory and empire, and the good German
sword.
And he sang a song of _Kultur_, a pocketful of loot.
And a song of tears, the tears of widows and orphans in other lands,
widows of foolish men who had denied her omnipotent will; and of foolish
reluctant virgins to whom was given the shining compensation of bearing
sons to her flushed warriors.
And if he sang of her own sons that lay before Liége, and by the Yser,
and on the high road to Paris and to Calais, and Petrograd, it was still
a song of glory in a minor but triumphant key.
For also he sang a song of an all-highest promise that, wreathed with
the splendid bays of victory, her sons should return before the next
ripening of the harvest. But the harvest was gathered and they came not.
And then he sang a song of the sea with the moan of the winds in it, and
the cries of little children--which for a sea-song was not a pleasant
song.
Public-domain text, read in full here on John Shaqi.
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