Kultur in Cartoons: With accompanying notes by well-known English writersRaemaekers, Louis
History
Kultur in Cartoons: With accompanying notes by well-known English writers
Raemaekers, Louis
World War, 1914-1918 -- Caricatures and cartoons
And thereafter with a fine operatic vehemence he broke into a song of
glorious hate.
And again he sang (in a queer mocking voice) of the promise. But another
harvest was garnered (and eaten) and still her sons returned not.
And she began to be afraid.
So (for he had a pretty wit) he sang again a song of glory and feasting,
and there was laughter in his voice.
And at the last a song of thanks most indubitably sincere.
And she turned and looked upon the troubadour and found that he was
Death--in the high boots of a German Hussar.
And she stopped her ears, not to mute his singing, but to shut out the
thunder of the guns that came down all the winds.
JOSEPH THORP.
[Illustration]
_See the Conquering Hero Comes_
A bitter satire on the moral and intellectual claims of Germany. The
conquering hero of the twentieth century and the bearer of _Kultur_ is
no mere Hun. He is a “throw-back” to an ancestral type far more remote
than Attila, who was a comparatively polished person. He is primitive
Man, not Rousseau’s imaginary _l’homme naturel_, but the _Urmensch_, a
veritable monster, gross, bloated, abominable, compact of evil, and more
repulsive than the wild beasts he has tamed to do his hideous will. They
are monstrous creatures too, but dull and brutish. They are incapable of
moral judgment; they follow their instincts and know no better. But he
knows. He is Man, to whom has been given understanding and lordship over
all the beasts. He is their master by reason of his superior brain, and
that superiority is the measure of his depravity. By choosing these
savage creatures to be his companions and to do his pleasure he
proclaims himself far lower than they, because he might have chosen
otherwise.
We know those favorite satellites of his. One flies overhead--a vulture
with gore dripping from beak and claws. Two others walk behind their
master in docile servitude and ape his bearing as well as their dull
senses and uncouth forms allow. One is a gorilla, with bared fangs and
the glare of senseless destructiveness in his eyes; the other is a
whiskered wolf, sly, murderous and ruthless. They bear the hero’s train
and wear the marks of approbation he has bestowed upon them for the
services they have rendered by the exercise of the qualities proper to
their kind.
And there is one other. Ever as he goes, there wriggles along by his
side a snake--that old serpent, the devil and the father of lies.
Public-domain text, read in full here on John Shaqi.
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