She had seated herself at the end of the boat, half turning her back to
him, so that he could only see her profile. She wore a sterner look
than ever, the low straight brow was shaded by her hair; the rounded
lips were firmly closed; only the delicate nostril occasionally gave a
wilful quiver. After they had gone on a while in silence, she began to
feel the scorching of the sun; and unloosening her bundle, she threw
the handkerchief over her head, and began to make her dinner of the
bread; for in Capri she had eaten nothing.
Antonio did not stand this long; he fetched out a couple of the
oranges, with which the baskets had been filled in the morning: "Here
is something to eat to your bread, Laurella;" he said: "don't think I
kept them for you; they had rolled out of the basket, and I only found
them when I brought the baskets back to the boat."
"Eat them yourself; bread is enough for me."
"They are refreshing in this heat, and you have had to walk so far."
"They gave me a drink of water, and that refreshed me."
"As you please;" he said,--and let them drop into the basket
Silence again; the sea was smooth as glass. Not a ripple was heard
against the prow. Even the white seabirds that roost among those caves,
pursued their prey with soundless flight.
"You might take the oranges to your mother;" again commenced Tonino.
"We have oranges at home, and when they are done, I can go and buy some
more."
"Nay, take these to her, and give them to her with my compliments."
"She does not know you."
"You could tell her who I am."
"I do not know you either."
It was not for the first time that she denied him thus. One Sunday of
last year, when that painter had first come to Sorrento, Antonio had
chanced to be playing Boccia with some other young fellows, in the
little piazza by the chief street.
There, for the first time, had the painter caught sight of Laurella,
who, with her pitcher on her head, had passed by without taking any
notice of him. The Neapolitan, struck by her appearance, stood still
and gazed after her, not heeding that he was standing in the very midst
of the game, which, with two steps, he might have cleared. A very
ungentle ball came knocking against his shins, as a reminder that this
was not the spot to choose for meditation. He looked round, as if in
expectation of some excuse. But the young boatman who had thrown the
ball, stood silent among his friends, in an attitude of so much
defiance, that the stranger had found it more advisable to go his ways,
and avoid discussion. Still, this little encounter had been spoken of;
particularly at the time when the painter had been pressing his suit to
Laurella. "I do not even know him;" she had said, indignantly, when the
painter asked her whether it was for the sake of that uncourteous lad,
she now refused him? But she had heard that piece of gossip, and known
Antonio well enough, when she had met him since.
Public-domain text, read in full here on John Shaqi.
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