Domestic fiction; Married women -- Fiction; Paris (France) -- Fiction; Working class women -- Fiction
The hotel was on the Boulevard de la Chapelle, at the left of the
Barriere Poissonniers. It was a two-story building, painted a deep red
up to the first floor, and had disjointed weather-stained blinds.
Above a lantern with glass sides was a sign between the two windows:
HOTEL BONCŒUR
KEPT BY
MARSOULLIER
in large yellow letters, partially obliterated by the dampness.
Gervaise, who was prevented by the lantern from seeing as she desired,
leaned out still farther, with her handkerchief on her lips. She
looked to the right toward the Boulevard de Rochechouart, where
groups of butchers stood with their bloody frocks before their
establishments, and the fresh breeze brought in whiffs, a strong
animal smell--the smell of slaughtered cattle.
She looked to the left, following the ribbonlike avenue, past the
Hospital de Lariboisière, then building. Slowly, from one end to the
other of the horizon, did she follow the wall, from behind which in
the nightime she had heard strange groans and cries, as if some fell
murder were being perpetrated. She looked at it with horror, as if in
some dark corner--dark with dampness and filth--she should distinguish
Lantier--Lantier lying dead with his throat cut.
When she gazed beyond this gray and interminable wall she saw a great
light, a golden mist waving and shimmering with the dawn of a new
Parisian day. But it was to the Barriere Poissonniers that her eyes
persistently returned, watching dully the uninterrupted flow of men
and cattle, wagons and sheep, which came down from Montmartre and
from La Chapelle. There were scattered flocks dashed like waves on
the sidewalk by some sudden detention and an endless succession of
laborers going to their work with their tools over their shoulders
and their loaves of bread under their arms.
Suddenly Gervaise thought she distinguished Lantier amid this crowd,
and she leaned eagerly forward at the risk of falling from the window.
With a fresh pang of disappointment she pressed her handkerchief to
her lips to restrain her sobs.
A fresh, youthful voice caused her to turn around.
"Lantier has not come in then?"
"No, Monsieur Coupeau," she answered, trying to smile.
The speaker was a tinsmith who occupied a tiny room at the top of the
house. His bag of tools was over his shoulder; he had seen the key in
the door and entered with the familiarity of a friend.
"You know," he continued, "that I am working nowadays at the hospital.
What a May this is! The air positively stings one this morning."
As he spoke he looked closely at Gervaise; he saw her eyes were red
with tears and then, glancing at the bed, discovered that it had not
been disturbed. He shook his head and, going toward the couch where
the children lay with their rosy cherub faces, he said in a lower
voice:
Public-domain text, read in full here on John Shaqi.
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