Domestic fiction; Married women -- Fiction; Paris (France) -- Fiction; Working class women -- Fiction
One compartment, the first, contained a bed pushed under the corner
of the mansard roof; a stove, still warm from the cooking of the
dinner; two chairs, a table and a wardrobe. To place this last piece
of furniture where it stood, between the bed and the door, had
necessitated sawing away a portion of the ceiling.
The second compartment was the workshop. At the back, a tiny forge
with bellows; on the right, a vice screwed against the wall under
an _etagere_, where were iron tools piled up; on the left, in front
of the window, was a small table covered with pincers, magnifying
glasses, tiny scales and shears--all dirty and greasy.
"We have come!" cried Coupeau, going as far as the woolen curtain.
But he was not answered immediately.
Gervaise, much agitated by the idea that she was entering a place
filled with gold, stood behind her friend and did not know whether
to speak or retreat.
The bright light which came from a lamp and also from a brazier of
charcoal in the forge added to her trouble. She saw Mme Lorilleux,
a small, dark woman, agile and strong, drawing with all the vigor
of her arms--assisted by a pair of pincers--a thread of black metal,
which she passed through the holes of a drawplate held by the vice.
Before the desk or table in front of the window sat Lorilleux, as
short as his wife, but with broader shoulders. He was managing a tiny
pair of pincers and doing some work so delicate that it was almost
imperceptible. It was he who first looked up and lifted his head with
its scanty yellow hair. His face was the color of old wax, was long
and had an expression of physical suffering.
"Ah, it is you, is it? Well! Well! But we are in a hurry, you
understand. We have an order to fill. Don't come into the workroom.
Remain in the chamber." And he returned to his work; his face was
reflected in a ball filled with water, through which the lamp sent
on his work a circle of the brightest possible light.
"Find chairs for yourselves," cried Mme Lorilleux. "This is the lady,
I suppose. Very well! Very well!"
She rolled up her wire and carried it to the forge, and then she
fanned the coals a little to quicken the heat.
Coupeau found two chairs and made Gervaise seat herself near the
curtain. The room was so narrow that he could not sit beside her, so
he placed his chair a little behind and leaned over her to give her
the information he deemed desirable.
Gervaise, astonished by the strange reception given her by these
people and uncomfortable under their sidelong glances, had a buzzing
in her ears which prevented her from hearing what was said.
She thought the woman very old looking for her thirty years and also
extremely untidy, with her hair tumbling over her shoulders and her
dirty camisole.
The husband, not more than a year older, seemed to Gervaise really
an old man with thin, compressed lips and bowed figure. He was in his
shirt sleeves, and his naked feet were thrust into slippers down at
the heel.
Public-domain text, read in full here on John Shaqi.
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