Domestic fiction; Married women -- Fiction; Paris (France) -- Fiction; Working class women -- Fiction
"You are going to the lavatory this morning, are you not? All right
then, I have some things to wash, and I will keep a place for you next
to me, and we can have a little talk!"
Then as if moved by sudden compassion, she added:
"Poor child, don't stay at that window any longer. You are purple with
cold and will surely make yourself sick!"
But Gervaise did not move. She remained in the same spot for two
mortal hours, until the clock struck eight. The shops were now
all open. The procession in blouses had long ceased, and only an
occasional one hurried along. At the wineshops, however, there was
the same crowd of men drinking, spitting and coughing. The workmen in
the street had given place to the workwomen. Milliners' apprentices,
florists, burnishers, who with thin shawls drawn closely around them
came in bands of three or four, talking eagerly, with gay laughs
and quick glances. Occasionally one solitary figure was seen, a
pale-faced, serious woman, who walked rapidly, neither looking to
the right nor to the left.
Then came the clerks, blowing on their fingers to warm them, eating a
roll as they walked; young men, lean and tall, with clothing they had
outgrown and with eyes heavy with sleep; old men, who moved along with
measured steps, occasionally pulling out their watches, but able, from
many years' practice, to time their movements almost to a second.
The boulevards at last were comparatively quiet. The inhabitants were
sunning themselves. Women with untidy hair and soiled petticoats were
nursing their babies in the open air, and an occasional dirty-faced
brat fell into the gutter or rolled over with shrieks of pain or joy.
Gervaise felt faint and ill; all hope was gone. It seemed to her that
all was over and that Lantier would come no more. She looked from the
dingy slaughterhouses, black with their dirt and loathsome odor, on to
the new and staring hospital and into the rooms consecrated to disease
and death. As yet the windows were not in, and there was nothing to
impede her view of the large, empty wards. The sun shone directly in
her face and blinded her.
She was sitting on a chair with her arms dropping drearily at her side
but not weeping, when Lantier quietly opened the door and walked in.
"You have come!" she cried, ready to throw herself on his neck.
"Yes, I have come," he answered, "and what of it? Don't begin any
of your nonsense now!" And he pushed her aside. Then with an angry
gesture he tossed his felt hat on the bureau.
He was a small, dark fellow, handsome and well made, with a delicate
mustache which he twisted in his fingers mechanically as he spoke.
He wore an old coat, buttoned tightly at the waist, and spoke with
a strongly marked Provencal accent.
Gervaise had dropped upon her chair again and uttered disjointed
phrases of lamentation.
"I have not closed my eyes--I thought you were killed! Where have you
been all night? I feel as if I were going mad! Tell me, Auguste, where
have you been?"
Public-domain text, read in full here on John Shaqi.
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