Domestic fiction; Married women -- Fiction; Paris (France) -- Fiction; Working class women -- Fiction
"It all looks very strange to me," sniffed Mme Lorilleux. "I can't
tell where the money comes from, but I have my suspicions." And she
went on to intimate that Gervaise and Goujet were altogether too
intimate. This was the groundwork of many fables; she said Wooden Legs
was so mild and sweet that she had deceived her to the extent that
she had consented to become Nana's godmother, which had been no small
expense, but now things were very different. If Gervaise were dying
and asked her for a glass of water she would not give it. She could
not stand such people. As to Nana, it was different; they would
always receive her. The child, of course, was not responsible for her
mother's crimes. Coupeau should take a more decided stand and not put
up with his wife's vile conduct.
Boche and his wife sat in judgment on the quarrel and gave as their
opinion that the Lorilleuxs were much to blame. They were good
tenants, of course. They paid regularly. "But," added Mme Boche, "I
never could abide jealousy. They are mean people and were never known
to offer a glass of wine to a friend."
Mother Coupeau visited her son and daughter successive days, listened
to the tales of each and said never a word in reply.
Gervaise lived a busy life and took no notice of all this foolish
gossip and strife. She greeted her friends with a smile from the door
of her shop, where she went for a breath of fresh air. All the people
in the neighborhood liked her and would have called her a great beauty
but for her lameness. She was twenty-eight and had grown plump. She
moved more slowly, and when she took a chair to wait for her irons
to heat she rose with reluctance. She was growing fond of good
living--that she herself admitted--but she did not regard it as a
fault. She worked hard and had a right to good food. Why should she
live on potato parings? Sometimes she worked all night when she had
a great deal of work on hand.
Public-domain text, read in full here on John Shaqi.
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