The afternoons were all the same these winter days. The laundry was the refuge for anyone in the neighborhood who was cold. There was an endless procession of gossiping women. Gervaise took pride in the comforting warmth of her shop and welcomed those who came in, “holding a salon,” as the Lorilleuxs and the Boches remarked meanly. Gervaise was always thoughtful and generous. Sometimes she even invited poor people in if she saw them shivering outside. A friendship sprang up with an elderly house-painter who was seventy. He lived in an attic room and was slowly dying of cold and hunger. His three sons had been killed in the war. He survived the best he could, but it had been two years since he had been able to hold a paint-brush in his hand. Whenever Gervaise saw Pere Bru walking outside, she would call him in and arrange a place for him close to the stove. Often she gave him some bread and cheese. Pere Bru’s face was as wrinkled as a withered apple. He would sit there, with his stooping shoulders and his white beard, without saying a word, just listening to the coke sputtering in the stove. Maybe he was thinking of his fifty years of hard work on high ladders, his fifty years spent painting doors and whitewashing ceilings in every corner of Paris. “Well, Pere Bru,” Gervaise would say, “what are you thinking of now?” “Nothing much. All sorts of things,” he would answer quietly. The workwomen tried to joke with him to cheer him up, saying he was worrying over his love affairs, but he scarcely listened to them before he fell back into his habitual attitude of meditative melancholy.