Domestic fiction; Married women -- Fiction; Paris (France) -- Fiction; Working class women -- Fiction
She began to tell Coupeau about her childhood at Plassans. She had
never cared overmuch for men; they had always bored her. She was
fourteen when she got involved with Lantier. She had thought it was
nice because he said he was her husband and she had enjoyed playing a
housewife. She was too soft-hearted and too weak. She always got
passionately fond of people who caused her trouble later. When she
loved a man, she wasn’t thinking of having fun in the present; she was
dreaming about being happy and living together forever.
And as Coupeau, with a chuckle, spoke of her two children, saying they
hadn’t come from under a bolster, she slapped his fingers; she added
that she was, no doubt made on the model of other women; women thought
of their home, slaved to keep the place clean and tidy, and went to bed
too tired at night not to go to sleep at once. Besides, she resembled
her mother, a stout laboring woman who died at her work and who had
served as beast of burden to old Macquart for more than twenty years.
Her mother’s shoulders had been heavy enough to smash through doors,
but that didn’t prevent her from being soft-hearted and madly attracted
to people. And if she limped a little, she no doubt owed that to the
poor woman, whom old Macquart used to belabor with blows. Her mother
had told her about the times when Macquart came home drunk and brutally
bruised her. She had probably been born with her lame leg as a result
of one of those times.
“Oh! it’s scarcely anything, it’s hardly perceptible,” said Coupeau
gallantly.
She shook her head; she knew well enough that it could be seen; at
forty she would look broken in two. Then she added gently, with a
slight laugh: “It’s a funny fancy of yours to fall in love with a
cripple.”
With his elbows still on the table, he thrust his face closer to hers
and began complimenting her in rather dubious language as though to
intoxicate her with his words. But she kept shaking her head “no,” and
didn’t allow herself to be tempted although she was flattered by the
tone of his voice. While listening, she kept looking out the window,
seeming to be fascinated by the interesting crowd of people passing.
The shops were now almost empty. The grocer removed his last panful of
fried potatoes from the stove. The sausage man arranged the dishes
scattered on his counter. Great bearded workmen were as playful as
young boys, clumping along in their hobnailed boots. Other workmen were
smoking, staring up into the sky and blinking their eyes. Factory bells
began to ring in the distance, but the workers, in no hurry, relit
their pipes. Later, after being tempted by one wineshop after another,
they finally decided to return to their jobs, but were still dragging
their feet.
Gervaise amused herself by watching three workmen, a tall fellow and
two short ones who turned to look back every few yards; they ended by
descending the street, and came straight to Pere Colombe’s l’Assommoir.
Public-domain text, read in full here on John Shaqi.
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