Domestic fiction; Married women -- Fiction; Paris (France) -- Fiction; Working class women -- Fiction
Gervaise had returned to her seat, disenchanted and thinking everything
very ugly. She smiled to be polite to the Lorilleuxs. The complete
silence about her marriage bothered her. It was the sole reason for her
having come. The Lorilleuxs were treating her as some stranger brought
in by Coupeau. When a conversation finally did get started, it
concerned the building’s tenants. Madame Lorilleux asked her husband if
he had heard the people on the fourth floor having a fight. They fought
every day. The husband usually came home drunk and the wife had her
faults too, yelling in the filthiest language. Then they spoke of the
designer on the first floor, an uppity show-off with a mound of debts,
always smoking, always arguing loudly with his friends. Monsieur
Madinier’s cardboard business was barely surviving. He had let two girl
workers go yesterday. The business ate up all his money, leaving his
children to run around in rags. And that Madame Gaudron was pregnant
again; this was almost indecent at her age. The landlord was going to
evict the Coquets on the fifth floor. They owed nine months’ rent, and
besides, they insisted on lighting their stove out on the landing. Last
Saturday the old lady on the sixth floor, Mademoiselle Remanjou, had
arrived just in time to save the Linguerlot child from being badly
burned. Mademoiselle Clemence, one who took in ironing, well, she lived
life as she pleased. She was so kind to animals though and had such a
good heart that you couldn’t say anything against her. It was a pity, a
fine girl like her, the company she kept. She’d be walking the streets
before long.
“Look, here’s one,” said Lorilleux to his wife, giving her the piece of
chain he had been working on since his lunch. “You can trim it.” And he
added, with the persistence of a man who does not easily relinquish a
joke: “Another four feet and a half. That brings me nearer to
Versailles.”
Madame Lorilleux, after tempering it again, trimmed it by passing it
through the regulating draw-plate. Then she put it in a little copper
saucepan with a long handle, full of lye-water, and placed it over the
fire of the forge. Gervaise, again pushed forward by Coupeau, had to
follow this last operation. When the chain was thoroughly cleansed, it
appeared a dull red color. It was finished, and ready to be delivered.
“They’re always delivered like that, in their rough state,” the
zinc-worker explained. “The polishers rub them afterwards with cloths.”
Gervaise felt her courage failing her. The heat, more and more intense,
was suffocating her. They kept the door shut, because Lorilleux caught
cold from the least draught. Then as they still did not speak of the
marriage, she wanted to go away and gently pulled Coupeau’s jacket. He
understood. Besides, he also was beginning to feel ill at ease and
vexed at their affectation of silence.
“Well, we’re off,” said he. “We mustn’t keep you from your work.”
Public-domain text, read in full here on John Shaqi.
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