French fiction -- Translations into English; Horror tales
“It was formerly a little domain, held in fief, and is known as La
Grande Bretèche. During my stay at Vendôme, where Despleins had left
me in charge of a rich patient, the sight of this strange dwelling
became one of my keenest pleasures. Was it not far better than a ruin?
Certain memories of indisputable authenticity attach themselves to a
ruin; but this house, still standing, though being slowly destroyed
by an avenging hand, contained a secret, an unrevealed thought. At the
very least, it testified to a caprice. More than once in the evening I
boarded the hedge, run wild, which surrounded the enclosure. I braved
scratches, I got into this ownerless garden, this plot which was no
longer public or private; I lingered there for hours gazing at the
disorder. I would not, as the price of the story to which this strange
scene no doubt was due, have asked a single question of any gossiping
native. On that spot I wove delightful romances, and abandoned myself
to little debauches of melancholy which enchanted me. If I had known
the reason—perhaps quite commonplace—of this neglect, I should have
lost the unwritten poetry which intoxicated me. To me this refuge
represented the most various phases of human life, shadowed by
misfortune; sometimes the peace of the graveyard without the dead,
who speak in the language of epitaphs; one day I saw in it the home
of lepers; another, the house of the Atridae; but, above all, I found
there provincial life, with its contemplative ideas, its hour-glass
existence. I often wept there, I never laughed.
“More than once I felt involuntary terrors as I heard overhead the
dull hum of the wings of some hurrying wood-pigeon. The earth is dank;
you must be on the watch for lizards, vipers, and frogs, wandering
about with the wild freedom of nature; above all, you must have no
fear of cold, for in a few moments you feel an icy cloak settle on
your shoulders, like the Commendatore’s hand on Don Giovanni’s neck.
“One evening I felt a shudder; the wind had turned an old rusty
weathercock, and the creaking sounded like a cry from the house, at
the very moment when I was finishing a gloomy drama to account for
this monumental embodiment of woe. I returned to my inn, lost in
gloomy thoughts. When I had supped, the hostess came into my room with
an air of mystery, and said, ‘Monsieur, here is Monsieur Regnault.’
“‘Who is Monsieur Regnault?’
“‘What, sir, do you not know Monsieur Regnault?—Well, that’s odd,’
said she, leaving the room.
“On a sudden I saw a man appear, tall, slim, dressed in black, hat
in hand, who came in like a ram ready to butt his opponent, showing a
receding forehead, a small pointed head, and a colorless face of the
hue of a glass of dirty water. You would have taken him for an usher.
The stranger wore an old coat, much worn at the seams; but he had a
diamond in his shirt frill, and gold rings in his ears.
Public-domain text, read in full here on John Shaqi.
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