Montpensier, Anne-Marie-Louise d'Orléans, duchesse de, 1627-1693
The rest of the façade (as far as the _pavillon de Flore_) formed
a succession of angles, now jutting forward, now receding, in
conformations very pleasing to the eye. The opposite wing and the
_pavillon de Marsan_ had not been built. Close at hand lay an almost
unbroken country. The rear of the palace looked out upon a parterre;
beyond the parterre lay a chaos from which the _Carrousel_ was not
wholly delivered until the Second Empire. There stood the famous Hôtel
de Rambouillet, close to the hotel of Madame de Chevreuse, confidential
friend of Anne of Austria and interested enemy of Richelieu. There were
other hotels, entangled with churches, with a hospital, a "Court of
Miracles," gardens, and wild lands overgrown with weeds and grasses.
There were shops and stables; and away at the far end of the settlement
stood the Louvre, closing the perspective.
[Illustration: THE TUILERIES FROM THE SEINE IN THE 16TH CENTURY
FROM A CONTEMPORARY PRINT]
The Court and the city crowded together around the Bird House and the
Swans' Pond, in the Dedalus and before the Echo, ogling or criticising
one another. At that time the Place de la Concorde was a great, green
field, called the Rabbit Warren. In one part of the field stood the
King's kennels.[5] The city's limits separated the Champs-Élysées from
the wild lands running down to the Seine at the point where the Pont
de la Concorde now stands. This space, enclosed by the boundaries
of the city, assured to the Court a park-like retreat in the green
fields of the open country. The enclosure was entered by the gate
of the Conférence. The celebrated "Garden of Renard" was associated
with Mademoiselle's first memories. It had been taken from that part
of _La Garenne_ which lay between the gate of the Conférence[6] and
the Garden of the Tuileries. Renard had been _valet-de-chambre_ to a
noble house. He was witty, pliable, complaisant to the wishes or the
fancied needs of his employers, amiable, and of "easy, accommodating
manners"[7]; in short, he was a precursor of the Scapins and the
Mascarelles of Molière. Mazarin found pleasure and profit in talking
with him. Renard's garden was a bower of delights. It was the preferred
trysting-place of the lordlings of the Court, and the scene of all
things gallant in that gallant day.
The fair ladies of the Court frequented the place; so did the crowned
queens; and there many an amorous knot was tied, and many a plot laid
for the fall of many a minister.
There the men of the day gave dinners, and rolled under the table at
dessert; and in the bosky glades of the garden the ladies offered their
collations. There were balls, comedies, concerts, and serenades in the
groves, and all the gay world met there to hear the news and to discuss
it. Renard was the man of the hour, no one could live without him.
Public-domain text, read in full here on John Shaqi.
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