Families -- Fiction; Married women -- Fiction; Mothers -- Fiction; United States -- Fiction; Women -- Employment -- Fiction
"It is this." His smile, briefly sardonic, mocked at himself. "That
children are the world's greatest illusion. The largest catch-penny
life offers."
"Sometimes," Catherine hesitated, "I think Henry says a clever thing to
fool herself."
"Isn't it more than clever? Don't you feel, when you are confronted
with a black wall of futility, in yourself, that at least there are
your children, three of them, and that they may jack life up to some
level of significance, and that they are you?"
"Is that an illusion?"
"Isn't it? Our puny little minds, scratching at the edges of whatever
it is that drives us along, pick up bits of sand." Bill laid his hand
on the back of the chair, dragged it around, and dropped into it, his
gaunt profile toward the window, his hands gripped on his knees. "After
all, a merry-go-round doesn't go anywhere but around. Isn't that what
this feeling amounts to? You don't find yourself convinced that you are
the vehicle for your parents, do you? And yet"--the words lagged--"I am
sure I have that illusion as strongly as any fool, that I have the need
for that consolation."
"Surely"--Catherine spoke softly; she mustn't drive him back--"you, of
all people, Bill, are least futile."
He turned his face toward her, a haggard little grin under his somber
eyes.
"What could be more futile? Builder of bridges and buildings, which a
hundred other men can make better than I. I had a maudlin way, when
I was younger, of expecting that to-morrow would give me the thing I
wished. To-morrow! Another catch-penny. And this, too, puerile as it
sounds. For a time Henrietta needed me, while she fought to get her
toes in. But she's past that now."
"Bill"--Catherine strained toward him, her eyes darkly brilliant--"I
came home to-night, because I wanted you. Because when I am frantic and
silly, you can pull me up. You have, countless times."
"That is your generous imagination." Catherine flung out her hand
impatiently. "And you see, I have, instead, spewed out this sentimental
maundering."
"Don't talk that way!" cried Catherine.
"No." He rose abruptly, to stand above her, so that she tipped her head
back, and one hand crept up to press against the pulse beating in her
throat. His glance buffeted hers, entreating something, inarticulate,
baffling. Then, suddenly, the old quiet mask was on again, and the
water closed over his plunge within.
"Don't ever be frantic, Catherine," he said. "Good night."
She sat motionless when he had gone. Bill, in the dark, listening to
the children. Bill, at the window, sending that heavy stare out into
the night. Bill, stripped of his concealment. There was a slow brewing
of exultation within her. He had come out, to her!
Public-domain text, read in full here on John Shaqi.
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