A number of methods were employed in the production of the lace of that
brilliant period, the simplest of which consisted of forming the design
independently of the foundation. Threads spreading at even distances from a
common center served as a framework for others which were united in
squares, triangles, rosettes and other figures worked over with the
buttonhole stitch, forming in some portions openwork, in others solid
embroidery. This was, in fact, the first needle-made lace, and doubtless
its origin is due to the Venetians.
{3}
[Illustration: Real Flemish Point.]
[Illustration: Real Point de Venise.]
{4} Through constant practice the art was developed to a very high state by
the nuns, who taught their methods to the pupils of the convents, through
whom the knowledge passed to the peasantry, and thus became an important
industry. Perhaps, however, the development of the lace industry at this
period was due more to the spread of the methods by which it was
done--through books more than in any other manner--for it must be
remembered that contemporaneously with the development of the industry the
art of printing was in its first bloom.
As one traces the growth of lacemaking from the earliest times he is
impressed with the sharp advance made at the beginning of the seventeenth
century, when laceworkers, having practically exhausted the designs
possible by the then known methods, invented passementerie, which were
known as passements. These, speaking broadly, much resemble the
passementerie of to-day.
They were made of stout linen thread in imitation of high relief work of
the needle point, a thick thread being introduced to mark the salient
points of the pattern. Thus the term guipure was applied to the thread lace
with guipure reliefs, and the designation has since remained to all laces
without grounds, in which the patterns are united by brides.
In the beginning lace was made by two entirely distinct processes, in
commenting upon which we can do no better than to quote the words of Cole,
which are particularly lucid and concise. He says: "It is remarkable that
lacemaking should have sprung up or been invented at about the same period
of time by two entirely distinct processes without relationship or
evolution between them, and that the people of the countries wherein either
of the inventions was made were not only {5} unknown to each other, but
apparently neither had any knowledge of the processes of lacemaking
employed in the other country."
One of these processes is the employment of the needle and the single
thread, wherein the work was perfected mesh by mesh, each mesh being
completed as the work progressed.
Public-domain text, read in full here on John Shaqi.
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