Lachmi Bai, Rani of Jhansi: The Jeanne D'Arc of IndiaWhite, Michael
History
Lachmi Bai, Rani of Jhansi: The Jeanne D'Arc of India
White, Michael
India -- History -- Sepoy Rebellion, 1857-1858 -- Fiction
Prasad returned the Mohammedan's salutation responsively.
"What did the Rani say," he asked, "when thou spoke to her of me"?
"What could she say," replied Ahmad, in a tone as if he had advocated
the other's cause so well that there could be but one conclusion drawn.
"What could she say! I swear never did eloquence so flow from my tongue
in any man's behalf, as it did for thee, my Prasad. I vowed to the Fair
One that the appointment thou seekest should by every right be thine.
Upon the Holy Book I swore that but for thy dash and bravery, even the
war scarred veteran, Ahmad Khan, might have been compelled to turn
his back before the fury of that night of storm, and the strength of
Sadescheo's frowning walls."
Prasad's gratitude manifested itself in a warm tribute to the other's
friendship.
"But," he protested with a slight accent of concern, "I fear thou
mayest have performed thy task too well, O Ahmad."
"Not I," returned the other. "Fear not that one who has trod the
pavement of the Afghan court has not learned to pick his way most
warily. Be assured thy desire is already granted."
A sound of distant music broke upon their ears.
"Hark"! enjoined the Mohammedan in a whisper. "Hark! The Rani cometh to
_Darbar_."
As the music drew nearer the nobles ranged themselves on either side
of the hall leaving a passage in the center for the Rani and her
attendants to approach the throne. A profound silence fell upon the
brilliant assembly.
Nearer rolled the sound of an inspiriting martial air. Presently amid
a loud clash of cymbals and the beat of drums, the foremost of the
procession swept into the hall. Fans of peacock feathers waved aloft,
emblems of state were borne before her to whom all eyes were directed.
"The Rani, the Rani," passed in an impressive whisper from mouth to
mouth. In turn, each of the nobles made a low obeisance.
She walked with a stately, measured pace, a little apart from the
rest of her suite. As she moved along the human aisle, the earnest
expression on her beautiful features gathered an abstracted look,
as if the thunder of the music crashing upward to the roof, carried
her vision beyond the brilliant spectacle of the moment, to some
perspective scene yet to be unfolded.
For the occasion she had robed herself with great magnificence after
the Mohammedan rather than the Hindu fashion of ladies of high rank.
Her reason was, perhaps, that it afforded her a better means of
impressing those to whom a sumptuous display of jewels and fine raiment
formed a considerable part of their existence.
Public-domain text, read in full here on John Shaqi.
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