Ladies and GentlemenCobb, Irvin S. (Irvin Shrewsbury)
General
Ladies and Gentlemen
Cobb, Irvin S. (Irvin Shrewsbury)
Fiction; Short stories, American
He saw her, of course--Dyketon was a small place then; it was
afterwards that it grew into a city--but always at a distance, always
across the wide gulf that little-town etiquette digs for encounters
in public between the godly and the ungodly. Once in a while she
would pass him on the street, she usually riding in a hack and he
usually afoot, with no sign of recognition, of course, on the part
of either. Then again, some evening at the theater, he, sitting with
his wife down-stairs, would happen to glance up toward the "white"
gallery and she would be perched, as one of a line of her sisters of
transgression, on the front row there. The Dyketon theater management
practiced the principle of segregation for prostitutes just as the city
government practically enforced it in the matter of their set-apart
living-quarters. These communal taboos were as old as the community
itself was. Probably they still endure.
With time, even the occasional sight of his old light-o'-love failed to
revive in his mind pictures of the house where he once had knowledge of
her. The memories of that interior faded into a conglomerate blur. One
memory did persist. Long after the rest was a faint jumble he recalled
quite sharply the landlady's two pets--her asthmatic pug-dog with its
broody cocked eyes, and her wicked talking parrot with its yellow head
and its vice for gnawing woodwork and its favorite shrieked refrain:
"Ladies, gent'men in the parlor!"
He remembered them long after he forgot how the place had smelled of
bottled beer and cheap perfumery and unaired sofa-stuffing; and how
always on the lower floor there had prevailed in daytime a sort of
dusky gloom by reason of the shutters being tightly closed and barred
fast against sunlight and small boys or other Peeping Toms who might
come venturing on forbidden ground; and how, night-times, above the
piano-playing of the resident "professor" and the clamor of many voices
there would cut through the shrill squeals of an artificial joy--the
laughter forced from the sorry souls of those forlorn practitioners at
the oldest and the very saddest of human trades.
* * * * *
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account