Tommy was tired and a bit disheartened; Appleton, the only responsive person in the audience, was seated in a far corner of the room, completely hidden behind a lady of formidable width and thickness, so the singer could not be expected to feel the tidal waves of appreciation he was sending toward her, although they ran so high at one moment that he could have risen to his feet and begged her to elope with him. The rest of her hearers sat heavily, stodgily in their seats without moving a muscle, mental, emotional, or physical. They had no private sitting-rooms, and they might as well be where they were as anywhere else; that was the idea they conveyed in every feature of their expressionless faces. An old gentleman in the front row left the room during the last song on the programme, and Appleton was beset by, and resisted, a vulgar temptation to put out his foot and trip him up in the doorway. When Tommy sang: "Has hope, like the bird in the story, That flitted from tree to tree With the talisman's glitt'ring glory, Has hope been that bird to thee? On branch after branch alighting, The gem did she still display, And when nearest and most inviting, Then waft the fair gem away." "Yes, yes, a thousand times yes," answered Fergus Appleton's heart, for the first time in his life conscious of loneliness, lack of purpose, lack of anchorage, lack of responsibilities, lack of everything he had never wanted before, but wanted desperately all at once, and quite independent of logic.