6–11. Ladies’ Shoes, viz.:--(6) High-heeled Shoe and pair of Clogs, as worn in the middle of last century; (7) High-heeled Crimson Satin Shoes, with plated buckles--George Sim, F.S.A. Scot., 1863; (8) Pair of Sky-blue Satin high-heeled Shoes, with buckles; (9) Pair of Black Satin Shoes, high heels, with ribband tie; (10, 11) Two Pairs lemon-coloured, sharp-pointed, high-heeled, Kid Shoes, with ribband rosettes, worn in the beginning of the present century--Dr John Alexander Smith, F.S.A. Scot., 1861. 12. Pair of Rivlins, or Shetland Shoes of untanned hide.--Gilbert Goudie, F.S.A. Scot., 1873. 13–16. Shoes of Satin and Embroidered Work. -------------- III. FASHIONS FOR THE FEET. BY R. HEATH. (_Reprinted from the “Magazine of Art” by permission of Messrs Cassell & Co._) The collection of foot-gear at Cluny is full of interest not only for artists, archæologists, and ethnologists, but for every student of human nature. Originally formed by the eminent French engraver, the late Jules Jacquemart, it was acquired by the Musée de Cluny in 1880. Further enriched by the purchase of the collection of Baron Schvitter, it is in every respect unique, not merely in its subject-matter, but because it is at once very choice and singularly universal. Here are not only examples of boots and shoes from ancient times, the Middle Ages, the Renaissance, and every period since, but boots and shoes from every quarter of the globe. [Illustration: BOOTS AND SHOES.--I. 1. Female Shoe, Henri II.; 2. Shoe of Catherine de Medicis; 3. Shoe, French (Sixteenth Century); 4. Female Shoe, Henri III.; 5. Italian (Early Seventeenth Century); 6, 7. Shoes, Louis XIV.; 8. Italian (Seventeenth Century); 9. French, Regency; 22. Boot, Louis XIII.; 25. Military Boot, Henri III.; 26. Spanish Boot, Philip II.]